=J=esuit Church and College, after the siege Jogues, Statue of father =L=antern =M=artello Tower (tailpiece) Montcalm’s Headquarters Montcalm, Portrait of “Montgomery fell” (initial) Montgomery, Portrait of Montmorency, Falls of Monument—“Aux Braves” Soldiers’ (tailpiece) Wolfe and Montcalm Mortar Moss Rose Mountain Hill =N=otre Dame des Victoires—(headpiece) Ruins of Nun, Ursuline =O=ld Furniture Oxen =P=lains of Abraham (headpiece) Portières Priest (initial) Pulpwood =Q=uebec—About 1690 From Point Lévis Modern (headpiece) =R=ampart, A Corner of the Ramparts (initial) Recollet Friars’ Church =S=hip of Eighteenth Century Shrine Shuttle Soldier—British French Sous le Cap St. Anne de Beaupré and Cap Tourmente St. Anne de Beaupré, Old Church (tailpiece) St. Croix, Island of St. Lawrence, The—From Montmorency (tailpiece) Looking down On the Shore of =T=adousac Tobacco Trapper, Canadian Trillium =W=aterlilies (tailpiece) Water Sluice Wayside Cross Wharf at Isle of Orleans Wheel—For Spinning Flax For Spinning Wool Wolfe, Portrait of Wolfe’s Cove Wolfe’s Monument [Illustration: JESUIT CHURCH AND COLLEGE, AFTER THE SIEGE. From a drawing by R. Short, 1759.] [Illustration] =FOREWORD= [Illustration: Harebells.] THIS little book aspires, neither to the utility of a guide-book, nor to the dignity of a history. It is designed rather as a reminder of the great events which have given to the old city of Quebec a world-wide fame; and with this object in view, many of the illustrations have been copied from old prints and drawings. With the exception of a photograph of his painting of Wolfe, kindly lent by J. W. L. Forster, Esq., and the two photographs on page 57,[1] taken by James Ritchie, Esq., of Quebec, the remainder of the illustrations are largely the result of a pleasant summer in that quaintest part of the Dominion—once the heart of “New France”—where picturesque old-world customs still linger amongst the modern fashions of this practical century. ----- [1] See illustrations: Oxen Falls of St. Anne [Illustration]