Old Rome: A Handbook to the Ruins of the City and the CampagnaBurn, Robert
History
Old Rome: A Handbook to the Ruins of the City and the Campagna
Burn, Robert
Rome (Italy) -- Antiquities; Rome (Italy) -- Description and travel
In the central chamber, the walls are divided into large compartments by
columns of the Composite order, adorned with vine leaves. One of the large
scenes represented here is that of Polyphemus, who, after having crushed
his rival Acis with an enormous rock, turns towards Galatea, who is riding
on a hippocampus. Another, placed above the frieze, is a picture of a
domestic initiation ceremony, as the sacred tænia which is being presented
seems to prove. A third picture, also above the frieze, shows the
preparations for a sacrifice. On the right sits a female figure, with a
mantle, and a faun standing before some utensils for ablution, which are
being lifted by a second female figure, while the sacrificial kid is being
brought by a young slave. The next picture represents a row of houses
along the side of a street or road, at the door of one of which a lady
with her maid is knocking, while four or five figures present themselves
above on the balconies. The last picture is one of Io hidden in the wood
of Juno at Mycenæ, and watched by Argos, with a figure of Hermes
descending by Jove’s command to rescue Io. The names of Io, Argos, and
Hermes are legible here.
The room on the left hand of this one is also divided by Composite columns
adorned with vine leaves, and by a beautiful frieze of giallo antico. The
lower compartments have no figures, but the upper are ornamented with
designs of genii and fantastic flowers.
The room on the right hand is decorated with beautifully-designed
paintings of flowers and fruit, hanging from one column to the next. From
these festoons hang the emblems of various divinities, the lyre of Apollo,
the timbrel of Cybele, and the mystic sieve and mask of Bacchus. These
seem to indicate that this was the lararium of the house. The frieze
contains a number of landscape and marine views, with many figures of men
and animals painted on a yellow ground.
At the north-western corner of the atrium opens a fourth chamber, which
may perhaps have been the dining-room, or triclinium, decorated with
trophies of sacred emblems of Diana and Apollo. The atrium communicates
with the rooms at the back of the house and with a small courtyard by
means of a corridor. Some of these rooms were used as baths, others seem
to have opened towards the street, the pavement of which still remains
along the side of the house.
[Sidenote: Palatine temples.]
Public-domain text, read in full here on John Shaqi.
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