Old Rome: A Handbook to the Ruins of the City and the CampagnaBurn, Robert
History
Old Rome: A Handbook to the Ruins of the City and the Campagna
Burn, Robert
Rome (Italy) -- Antiquities; Rome (Italy) -- Description and travel
A little farther to the south the basement of a round building is to be
seen, which may very probably have been the ancient Temple of Vesta. This
was a round building, as we conclude from Ovid and Plutarch’s notices, and
was intended by Numa, the first founder, to denote the spherical shape of
the earth which Vesta personified, or the original family hearth.[42]
[Sidenote: Chapel of Julius Cæsar.]
In front of the Temple of Castor a large block of substructions has been
cleared, which is with great probability assigned to the chapel built in
honour of Julius Cæsar, and called the Heroon of Cæsar. Ovid’s lines, in
one of his letters from Pontus--
“Like the twin brethren whom in their abode
Julius, the god, beholds from his high shrine,”
seem to prove that the heroon was in front of that temple. The body of
Cæsar was burnt in front of the regia and Temple of Vesta, which were at
this end of the Forum, and the heroon was placed on the spot where it was
burnt. The remains of two small staircases were found at the sides of the
heroon, and a wider staircase in front. The epithet “high,” given by Ovid
to its position, seems to be in accordance with the raised basement. The
semicircle of masonry on the north side has not been satisfactorily
explained. It is usually supposed to have belonged to the Julian rostra,
but its shape is not such as to support this idea.
[Sidenote: Temple of Antoninus and Faustina.]
To the north-east of the heroon of Julius Cæsar, we find the ancient
pavement of the road which ran along the north-eastern side of the Forum,
and to this road descend the steps of a temple with a conspicuous row of
six cipollino columns, and with two columns and a pilaster besides the
corner column on each side. These columns have Attic bases and Corinthian
capitals of white marble. The inscription upon the plain architrave in
front shows that the temple was first dedicated to Faustina alone, and
that the first three words, including the emperor’s name, were added after
his death. The Faustina here commemorated was probably the elder Faustina,
wife of Antoninus Pius, as a representation at this temple is given on one
of the medals struck in her honour.[43] She died in A.D. 141, and
Antoninus Pius in 161. The frieze of the temple is ornamented at the sides
with a bold and finely-executed relief representing griffins with upraised
wings, between which are carved elaborately-designed candelabra and vases.
A considerable part of the side walls of grey peperino blocks anciently
faced with marble is still standing. A church was built here at a very
early time, but the present building which forms a strange contrast in the
meanness of its style and proportions to the massive grandeur of the grey
old ruin which embraces it, was built in 1602 by the guild of the Roman
apothecaries.[44]
[Sidenote: Extent of the Forum.]
[Sidenote: Seven brick pedestals.]
[Sidenote: Column of Phocas.]
Public-domain text, read in full here on John Shaqi.
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