Old Rome: A Handbook to the Ruins of the City and the CampagnaBurn, Robert
History
Old Rome: A Handbook to the Ruins of the City and the Campagna
Burn, Robert
Rome (Italy) -- Antiquities; Rome (Italy) -- Description and travel
The entablature which surmounts these arches is badly designed and
executed, the projections over the columns being far too heavy. Upon the
attica above the entablature there are the traces of nails on the corner
pilasters which seem to have borne some military ensigns. The whole
central space of the attica is occupied by a long inscription formerly
inlaid, as appears from the rivets, with metal. Upon a coin of Severus
giving a representation of the arch, a chariot with six horses is shown
standing over the attica, and on the four corners were equestrian statues.
From the inscription it appears that the arch was built in the year A.D.
203. The repetition of the title Parthicus, points to the Parthian
campaigns of Severus. In the fourth line the name of Geta and his titles
have been erased, as in other ruins of the same date, and the words
OPTIMIS FORTISSIMISQUE PRINCIPIBUS inserted in their place. In the middle
ages the tower of a church called SS. Sergio e Bacco was built upon the
top of this arch, but was removed in 1536 on the entry of Charles V. by
command of Pope Paul III.
[Sidenote: Ruins under the road across the end of the Forum.]
Near the Arch of Severus, and also between the temple of Saturn and the
corner of the Basilica Julia, the modern road runs over archways. Under
the archways some substructions of large peperino stones and other forms
of building have been disclosed. These may have belonged to pedestals upon
which statues were placed, or in the case of those near the arch of
Severus to the later Rostra and Græcostasis, and in the case of those near
the corner of the Basilica Julia to the Arch of Tiberius. The round
pedestal which stands near the Arch of Severus was possibly the pedestal
of the Miliarium Aureum, as it is not strong enough to bear the weight of
a heavy statue.[62]
A representation of the Rostra of the Empire which may have stood here is
given in the relief on the face of the Arch of Constantine, which looks
towards the Coliseum, where three arches are seen, corresponding to the
Arch of Severus on the right, and one arch corresponding to that of
Tiberius on the left. Constantine is shown in this bas-relief addressing
the people from the rostra.
[Sidenote: The Carcer.]
Under the church of S. Giuseppe dei Falegnami, which stands near the Arch
of Severus, are two chambers, which are always shown as the ancient prison
of Rome, said to have been first built by the King Ancus Martius, and then
rebuilt or enlarged by Servius Tullius. The upper of these two chambers is
of an irregular shape, but the lower is constructed in a conical form by
the gradual projection of the stones forming the sides. This mode of
building an arch is of very early date, before the introduction of the
principle of the round arch, and is found in the oldest tombs of Etruria,
and in well-houses at Tusculum and Cære.[63]
Public-domain text, read in full here on John Shaqi.
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