In modern Italy there are only a few interesting signs. The most delightful ones (the Golden Cannon, and the Bell) we found in the main street of the North Italian mountain town of Borgo San Dalmazzo. The “White Horse” (“cavallo bianco”) was a little off the main street. The form of these was probably influenced by the proximity of Switzerland--a country very rich in beautiful signs. Seume, who had the finest opportunity for studying taverns and signs in his walking tour from Leipzig to Syracuse, often mentions the name of his inn; as, for instance, “Hell” in Imola, or the “Elephant” in Catania. But there was only one Italian town in which the signs impressed him: that was Lodi. “The people of Lodi,” he writes, “must be very imaginative if one can judge them from their signs. One of them, over a shoemaker’s shop, represents a Genius taking a man’s measure--a motif which reminds one of Pompeii.” Our excellent guide, who has an eye for everything picturesque, does not seem to have met much of interest from Verona to Capri. An exception was the “Osteria del Penello,” in Florence, on the Piazza San Martino, a tavern established about the year 1500 by Albertinelli, the friend of Raphael. On the sign over the door was the jolly curly head of the founder, who, when the envy of his colleagues poisoned the work of his brush, here established a tavern. An inscription read: “Once I painted flesh and blood, and earned only contempt; now I give flesh and blood, and all men praise my good wine.” Barth also mentions, by the way, the characteristic wall-paintings of Italy that rest on the old Roman tradition and yet serve as tavern signs, like the “Three Madonnas” of the Porta Pincia in Rome: “A portal decorated with three pictures of the Mother of God leads into the green garden court.” Lest the thought of a religious painting serving as a tavern sign should shock any of our readers, we hasten to turn to the study of religious hospitality and its emblems. CHAPTER III ECCLESIASTICAL HOSPITALITY AND ITS SIGNS [Illustration: Lamm Erlenbach, Württemberg] CHAPTER III ECCLESIASTICAL HOSPITALITY AND ITS SIGNS “Use hospitality one to another without grudging.” I Peter IV, 9.