Old Tavern Signs: An Excursion in the History of HospitalityEndell, Fritz August Gottfried
History
Old Tavern Signs: An Excursion in the History of Hospitality
Endell, Fritz August Gottfried
Inn signs; Taverns (Inns)
If we enter the “Falcon,” Shakespeare’s words greet us from the wall:
“Good wine is a good familiar creature if it be well used, exclaim no
more against it.” The gentle invitation of the blinking sign to enter
and to share joy and sorrow with friendly comrades, Shakespeare
himself has often followed. A French critic, Mézières, went so far as
to call him “un habitué de la taverne,” politely adding that “he never
lost his self-control and never contended himself with the light joys
of the flying hour.”
The “Red Lion” in Henley-on-the-Thames once owned a window
pane--recently by mistake packed in the trunk of a confused
traveler--into which Shenstone scratched the much-quoted words:--
“Whoe’er has traveled life’s dull round,
Where’er his stages may have been,
May sigh to think he still has found
The warmest welcome at an inn.”
They are of true Shakespearean spirit and remind us of Speed’s words
in the “Two Gentlemen of Verona” (II, v):--
“I’ll to the alehouse with you presently, where, for one shot of
five pence, thou shalt have five thousand welcomes.”
It would seem hardly necessary further to urge such an enthusiastic
lover of the tavern, but Launce thought differently.
_Launce._ If thou wilt go with me to the alehouse, so; if not,
thou art an Hebrew, a Jew, and not worth the name of a
Christian.
_Speed._ Why?
_Launce._ Because thou hast not so much charity in thee as to
go to the ale with a Christian.
We are not surprised to hear the final question, “Wilt thou go?”
promptly answered, “At thy service.”
Most of the tavern names Shakespeare mentions are true products of the
Renaissance times when classical studies were extremely popular. “The
Centaur,” “The Phenix,” “The Pomegranate,”--an ornament we find so
often in the brocades of the sixteenth century,--all are signs of his
own time, simply transplanted from London he knew so well to Genoa or
Ephesus, places he had never put his eye on. “The Pegasus,” by the man
in the street called “The Flying Horse,” decorated still in the year
1691 the house of a jeweler and banker in Lombard Street. In passing,
we may remark that all the signs which to-day surprise the traveler in
this busy street are more or less happy reproductions of the old
signs, hung out there by the great banking firms for King Edward’s
coronation.
Public-domain text, read in full here on John Shaqi.
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