Thoreau christened the Apple trees of his acquaintance with appropriate names in the _lingua vernacula_: the Truant's Apple, the Saunterer's Apple, December Eating, Wine of New England, the Apple of the Dell in the Wood, the Apple of the Hollow in the Pasture, the Railroad Apple, the Cellar-hole Apple, the Frozen-thawed, and many more; these he loved for their fruit; to them let me add the Playhouse Apple trees, loved solely for their ingeniously twisted branches, an Apple tree of the garden, often overhanging the flower borders. I recall their glorious whiteness in the spring, but I cannot remember that they bore any fruit save a group of serious little girls. I know there were no Apples on the Playhouse Apple trees in my garden, nor on the one in Nelly Gilbert's or Ella Partridge's garden. There is no play place for girls like an old Apple tree. The main limbs leave the trunk at exactly the right height for children to reach, and every branch and twig seems to grow and turn only to form delightful perches for children to climb among and cling to. Some Apple trees in our town had a copy of an Elizabethan garden furnishing; their branches enclosed tree platforms about twelve feet from the ground, reached by a narrow ladder or flight of steps. These were built by generous parents for their children's playhouses, but their approach of ladder was too unhazardous, their railings too safety-assuring, to prove anything but conventional and uninteresting. The natural Apple tree offered infinite variety, and a slight sense of daring to the climber. Its possibility of accident was fulfilled; untold number of broken arms and ribs--juvenile--were resultant from falls from Apple trees. [Illustration: Pressing out Cider in Old Hand Mill.] One of Thoreau's Apples was the Green Apple (_Malus viridis_, or _Cholera morbifera puerelis delectissima_). I know not for how many centuries boys (and girls too) have eaten and suffered from green apples. A description was written in 1684 which might have happened any summer since; I quote it with reminiscent delight, for I have the same love for the spirited relation that I had in my early youth when I never, for a moment, in spite of the significant names, deemed the entire book anything but a real story; the notion that _Pilgrim's Progress_ was an allegory never entered my mind.