Old Time Wall Papers: An Account of the Pictorial Papers on Our Forefathers' Walls with a Study of the Historical Development of Wall Paper Making and DecorationSanborn, Kate
History
Old Time Wall Papers: An Account of the Pictorial Papers on Our Forefathers' Walls with a Study of the Historical Development of Wall Paper Making and Decoration
Sanborn, Kate
Interior decoration -- History; Wallpaper
This domino-work was for a long time principally used by country folk
and the humbler citizens of Paris to cover parts of their rooms and
shops; but near the end of the seventeenth century there was hardly a
house in Paris, however magnificent, that did not have some place
adorned with some of this domino-work, with flowers, fruits, animals and
small human figures. These pictures were often arranged in compartments.
The dominotiers made paper tapestries also, and had the right to
represent portraits, mythological scenes and Old and New Testament
stories. At first they introduced written explanations, but the letter
printers thought this an infringement of their rights; therefore it was
omitted.
We are told by Aumonier that little precise information is to be found
concerning the domino papers. "Some were made from blocks of pear-tree
wood, with the parts to be printed left in relief, like type. The
designs were small pictures and in separate sheets, each subject
complete to itself. They were executed in printing-ink by means of the
ordinary printing-press. Some were afterwards finished by hand in
distemper colors; others were printed in oil, gold-sized and dusted over
with powdered colors, which gave them some resemblance to flock papers."
Much is said about flock paper, and many were the methods of preparing
it. Here is one: "Flock paper, commonly called cloth paper, is made by
printing the figures with an adhesive liquid, commonly linseed oil,
boiled, or litharge. The surface is then covered with the flock, or
woolen dust, which is produced in manufactories by the shearing of
woolen cloths, and which is dyed of the requisite colors. After being
agitated in contact with the paper, the flocks are shaken off, leaving a
coating resembling cloth upon the adhesive surface of the figures." The
manufacture of this paper was practised, both in England and France,
early in the seventeenth century. I find in the Oxford Dictionary the
following examples of the early mention of flock cloth, which was the
thing that suggested to Le François his invention of flock paper:
Act I of Richard III., C. 8, preamble: "The Sellers of such course
Clothes, being bare of Threde, usen for to powder the cast Flokkys of
fynner Cloth upon the same." Again in 1541, Act of Henry VIII., C. 18:
"Thei--shall (not) make or stoppe any maner Kerseies with flocks."
"Flock, which is one of the most valuable materials used in paper
staining, not only from its cost, but from its great usefulness in
producing rich and velvety effects, is wool cut to a fine powder. The
wool can be used in natural color or dyed to any tint. The waste from
cloth manufactures furnished the chief supply, the white uniforms of the
Austrian soldiery supplying a considerable portion."
Public-domain text, read in full here on John Shaqi.
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