Old Time Wall Papers: An Account of the Pictorial Papers on Our Forefathers' Walls with a Study of the Historical Development of Wall Paper Making and Decoration — John Shaqi
Old Time Wall Papers: An Account of the Pictorial Papers on Our Forefathers' Walls with a Study of the Historical Development of Wall Paper Making and DecorationSanborn, Kate
History
Old Time Wall Papers: An Account of the Pictorial Papers on Our Forefathers' Walls with a Study of the Historical Development of Wall Paper Making and Decoration
Sanborn, Kate
Interior decoration -- History; Wallpaper
The house in which this paper is hung was built by Captain Seth Macy, a
retired sea-captain, in 1815. The paper was put on in 1820. Captain Seth
seems to have used up all his fortune in building his house, and in a
few years he was forced to sell it. The name of "Seth's Folly" still
clings to the place. In 1853 Miss Lathrop's father bought the house, and
it has ever since been occupied by his family. By a singular
coincidence, Mrs. Lathrop recognized the paper as the same as some on
the old house at Albany in which she was born. Repeated inquiries have
failed to locate any other example in America, and photographs have been
submitted without avail to both domestic and foreign experts for
identification. In the early seventies Miss Lathrop chanced to visit a
hunting-lodge belonging to the King of Saxony at Moritzburg, near
Dresden, and in the "Chinese room" she found a tapestry or paper exactly
similar, from which the paper on her own walls may have been copied.
The two papers just described would seem to be the finest examples of
continuous scenic papers still extant. I learn as this book goes to
press that Mrs. Jack Gardner, of Boston, has a remarkable old
geographical paper, in which the three old-world continents are
represented. I have been fortunate enough to secure, through the
courtesy of Mrs. Russell Jarvis, a picture of the paper in her parlor at
Claremont, New Hampshire. The Jarvis family have occupied the house
since 1797. This is not a landscape, but consists of small pastoral
scenes, placed at intervals and repeated regularly. The design is brown
on a cream ground. It has a dado and a frieze in dark blue. It is hand
made and all printed by hand, in squares of about eighteen inches,
matched carefully. Mrs. Jarvis writes: "I had no idea that the
photographer would take in so much each side of the corner, or I should
have arranged the furniture differently. The picture I did not suppose
was to appear is one of great interest and value. It is supposed to be a
Rubens, and has hung there for over a hundred years. It was bought in
1791 in Boston, of a French gentleman from San Domingo, who, on the
night of the insurrection there, escaped, saving but little else of his
vast possessions. It had evidently been hastily cut from the frame. It
represents the presentation of the head of the younger Cyrus to Tomyris,
Queen of the Scythians. The coloring is fine, the figures very
beautiful, and the satin and ermine of the Queen's dress extremely rich.
If you look closely, you will see a sword lying on the piano. This is
the one Sir William Pepperell was knighted with by King George the
Second, in 1745, because of the Battle of Louisburg, and was given my
husband's father by Sir William's grand-daughter, I believe."
You see how one photograph brings to you many valuable bits of
information apart from the paper sought.
Public-domain text, read in full here on John Shaqi.
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