Old Time Wall Papers: An Account of the Pictorial Papers on Our Forefathers' Walls with a Study of the Historical Development of Wall Paper Making and Decoration — John Shaqi
Old Time Wall Papers: An Account of the Pictorial Papers on Our Forefathers' Walls with a Study of the Historical Development of Wall Paper Making and DecorationSanborn, Kate
History
Old Time Wall Papers: An Account of the Pictorial Papers on Our Forefathers' Walls with a Study of the Historical Development of Wall Paper Making and Decoration
Sanborn, Kate
Interior decoration -- History; Wallpaper
Paper made of cotton and other vegetable fibres by the Chinese was
obtained by the Arabs in trade, through Samarcand. When they captured
that city, in 704 A.D. they learned the process from Chinese captives
there, and soon spread it over their empire. It was known as "Charta
Damascena" in the Middle Ages, and was extensively made also in Northern
Africa. The first paper made in Europe was manufactured by the Moors in
Spain, at Valencia, Toledo, and Xativa. At the decline of Moorish power,
the Christians took it up, but their work was not so good. It was
introduced into Italy through the Arabs in Sicily; and the Laws of
Alphonso, 1263, refer to it as "cloth parchment." The earliest documents
on this thick "cotton" paper date from the twelfth and thirteenth
centuries, as a deed of King Roger of Sicily, dated 1102, shows. When
made further north, other materials, such as rags and flax, were used.
The first mention of rag paper, in a tract of Peter, Abbott of Cluny
from 1122 to 1150, probably means woolen. Linen paper was not made until
in the fourteenth century.
The Oriental papers had no water mark,--which is really a wire mark.
Water-mark paper originated in the early fourteenth century, when
paper-making became an European industry; and a considerable
international trade can be traced by means of the water marks.
The French Encyclopædia corroborates Blanchet's statement that the
common notion that the Arabic and early European papers were made of
cotton is a mistake; the microscope shows rag and flax fibres in the
earliest.
Frederic Aumonier says: "From the earliest times man has longed to
conceal the baldness of mud walls, canvas tents or more substantial
dwellings, by something of a decorative character. Skins of animals, the
trophies of the chase, were probably used by our remote ancestors for
ages before wall-paintings and sculptures were thought of. The extreme
antiquity of both of these latter methods of wall decoration has
recently received abundant confirmation from the valuable work done by
the Egyptian Research Department, at Hierakonopolis, where
wall-paintings have been discovered in an ancient tomb, the date of
which has not yet been determined, but which is probably less than seven
thousand years old; and by the discovery of ancient buildings under the
scorching sand dunes of the great Sahara, far away from the present
boundary line of habitable and cultivated land. The painted decorations
on the walls of some of the rooms in these old-world dwellings have been
preserved by the dry sand, and remain almost as fresh as they were on
the day they left the hand of the artist, whose bones have long since
been resolved into their native dust."
From the Encyclopædia Britannica I condense the long article on "Mural
Decoration":
There is scarcely one of the numerous branches of decorative art which
has not at some time or other been applied to the ornamentation of
wall-surfaces.
Public-domain text, read in full here on John Shaqi.
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