Old times : $b A picture of social life at the end of the eighteenth centuryAshton, John
History
Old times : $b A picture of social life at the end of the eighteenth century
Ashton, John
Great Britain -- Social life and customs
The name of _Sarah Siddons_ is too well known to elicit any remark; as
a tragedian, her equal has, probably, never been seen on an English
Stage. She had a long career--from her _début_, at Drury Lane, in
1775, till her last appearance, in London, in 1816. Died 1831--aged
76.
_Miss Farren_, was a most lady-like, and elegant actress. She was tall
and slim, and was caricatured as being positively scraggy--but she
captivated the then Lord Derby, who, in physique was her complete
antithesis, having short legs, a very corpulent body, and a
hydrocephalous head. She retired from the stage before her marriage,
in 1796.
_Mrs. Crouch_, and _Mrs. Billington_, the rival songstresses, were
actresses, but they generally had parts assigned them, in which they
could exercise their vocal powers, and they sang at Oratorios, and
Concerts. Mrs. Billington did not retire from her profession until
1800. She died in 1817.
_Mrs. Frances Abington_ first appeared before a London audience on
21st Aug. 1755, and played, with few intermissions, until 1798. After
Mrs. Clive, she was the best comic actress on the English stage, and
could equally play Lady Teazle, Lady Betty Modish, a Chambermaid, a
Romp, or a Country girl--Died, 1815.
_Mrs. Bellamy_, can just claim a notice, because she died in 1788, but
she left the stage in 1785. She was a tragic actress, and was reckoned
equal to _Mrs. Cibber_.
Chief among the next rank of actresses, we must place _Miss Brunton_,
_Mrs. Martyr_, and _Mrs. Pope_.
Thinking it would interest my readers, I have taken some portraits of
the chief Actors, and Actresses, of the time, from a very rare book,
and they are interesting to the present generation, as shewing the
Costumes in which the plays were acted, and, which, I suppose,
satisfied the æsthetic, and archæological, taste of our grandfathers.
Both audience, and press, were very outspoken in their criticisms,
and, indeed, in those days, dramatic criticism was real, and had not
been reduced to a fine art, as now. Take the following instance:--
Public-domain text, read in full here on John Shaqi.
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