Old times : $b A picture of social life at the end of the eighteenth centuryAshton, John
History
Old times : $b A picture of social life at the end of the eighteenth century
Ashton, John
Great Britain -- Social life and customs
"Theatre, Covent Garden. Hoadley's agreeable Comedy of _The
Suspicious Husband_, was, last night, in general, presented here
with spirit, and attended by a considerable audience. The
Character of most prominent merit, as to performance, was
_Strickland_, which Farren supported with strong emotion, and
probable impression. Mrs. Abington would have represented
_Clarinda_ with more effect, if she had not directed all her
share of the dialogue entirely to the audience. Pope was the
_Frankly_, but he must take great pains before he will acquire
the ease necessary for genteel Comedy. Lewis's _Ranger_ was not
sufficiently marked by the appearance of that airy dissipation
which the part demands. Mrs. Wells' _Jacintha_ was only
distinguished for rustic dialect, and awkward deportment. Mrs.
Bernard had the merit of being decent in _Mrs.
Strickland_."--(_The Morning Post, Jan. 3, 1788._)
The Theatre, was, then, as now, a passion with some people, and
amateur theatricals were in high favour.
[Illustration: Mr. Macklin, as Shylock. Mr. Holman, as Richard.]
"At the Blenheim Theatre, her Grace the Duchess of Marlborough
attended her guests in person, and superintended the refreshments
of Sandwiches, fruit and wines, which were distributed in
profusion."--(_Morning Post, Mar. 28, 1788._)
The Newspapers gave Theatrical Gossip--as the following, all from the
_Morning Post, Jan. 15, 1789_, shews:--
"It has lately been a practice with one, or two, of the female
performers at Drury Lane Theatre, to refuse appearing on the
stage, though much after the time of commencing the play, because
the boxes may not happen to be filled with fashionable visitors,
regardless of any disapprobation which may arise from the
impatience of the audience.
"When the New Theatre is erected for the Managers of Old Drury,
it is in contemplation to fix a Clock over the Stage, where the
inscription is now placed, that, if the performance should be
improperly delayed, and the audience become clamorous, the Public
may be informed to whom the blame should be applied."
"A whimsical incident happened the other night, at the reading of
Cumberland's new Comedy. The Author, who read the piece himself,
began with the _Dramatis Personæ_, thus, 'The _Impostor_, by Mr.
Palmer:' A laugh occurring at this, the Author became embarrassed
on seeing Mr. Palmer in the room, but, recovering himself, he
added, 'being his _first appearance_ in that character.'"
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Public-domain text, read in full here on John Shaqi.
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