Old times : $b A picture of social life at the end of the eighteenth centuryAshton, John
History
Old times : $b A picture of social life at the end of the eighteenth century
Ashton, John
Great Britain -- Social life and customs
_Thomas Linley_ received his musical education from Chilcott, the
organist at Bath. One of his daughters, Eliza, married Sheridan, and,
soon after the production of his first theatrical essay, "The Duenna,"
he became joint patentee, with his son-in-law, in Drury Lane Theatre,
and, leaving Bath, went to reside in London. There, he wrote for the
Stage, and composed many operas, besides songs, madrigals, &c. He
received a severe shock, when his son was drowned, in 1778--and,
although he lived till 1795, he never recovered from it.
William Jackson (whose _Te Deum_ is, or was, such a favourite), was
born, at Exeter, in 1730, and was afterwards Organist to the Cathedral
of that city. He did not write much for the Stage, preferring sacred
music, songs, and canzonets.
The following paragraph shows a curious state of things at the
Opera:--
"When the Gallery at the Opera House, on Saturday night,
expressed its disapprobation of the crowded stage, _Sir John
Gallini_!!![9] who was part of that crowd, _very modestly_
declared, that, unless the gentlemen behind the scenes left the
House, there would be no Opera.--But, upon being asked where the
_half guineas_ should remain, if the gentlemen retired, this
_shark for words_ recanted his former assertion, and, very
composedly, swallowed the gilded pill."--(_Morning Post, Apr. 10,
1788._)
[Footnote 9: Sir John Gallini, was connected with the
Theatre. It was to him that "The Monster," was sent to learn
dancing.]
[Illustration: The Operatical Finale to the Ballet of "Alonzo e
Caro."]
The same paper (15 Ap. 1788) in its Notice "to Correspondents" rather
injures him with its forbearance. "The various articles sent to this
paper against Mr. Gallini, previous to his Benefit, we have uniformly
refused to insert, being unwilling to injure a POOR MAN, at so
important a period."
"How we are ruined! Bruni, the new singer, has 1400 guineas, Mara
1000, and a benefit, and Millerd, 1000 for the present Opera
season."--(_Times, Febr. 16, 1793._)
* * * * *
"Haymarket Opera. Almost all the subscribers, in Town, graced the
Boxes, with the Prince of Wales, and Duke of Clarence, at the
head of the list. The Pit had some pretty, as well as well
dressed, women; but we were sorry to observe several of the
gentlemen in round hats, and many of them slovenly to a degree,
descending even to boots. This ought not to be
permitted."--(_Times, Jan. 13, 1794._)
* * * * *
OPERA.
Public-domain text, read in full here on John Shaqi.
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