Oldfield: A Kentucky Tale of the Last CenturyBanks, Nancy Huston
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Oldfield: A Kentucky Tale of the Last Century
Banks, Nancy Huston
Kentucky -- Fiction
To have seen Miss Judy doing this must have been a sight well worth
seeing. She was so very pretty, so small, so slight, so exquisite
altogether. Old as she was, she had still the movements of a bird. Her
sweet old face was as fair as any girl's, and as ready with its delicate
blushes. Her soft hair, white as falling snowflakes and as curly as a
child's, was burnished by a silver gloss lovelier than the sheen of
youth. And her beautiful eyes were still the blue of the flax flowers.
Lifting her shining, curly head on that sunny morning, Miss Judy cast a
glance of dismay at the ruthless sunbeams lying on the carpet, and she
could not help a slight start. Then she held her breath for a moment,
turning her blue eyes on the back of Miss Sophia's nightcap, in a look
of anxious love. It always gave Miss Sophia a headache to be aroused
suddenly. Miss Judy was afraid that the involuntary movement might have
startled her. They were very tender of each other, these two poor little
sisters. And they were very, very polite to one another; more polite to
one another than they were to others, if that were possible. Miss
Sophia, who could not always remember the smaller matters of fine
breeding where other people were concerned, never forgot the smallest
courtesy toward her sister. Miss Judy, who was ever the pink--the
sweetest, old-fashioned clovepink--of politeness to everybody, always
treated Miss Sophia with such distinguished consideration as was a
lesson in manners to see. And no one ever smiled: it was too lovely to
be laughed at--too sincere to be absurd. Lying down side by side every
night of their long and blameless lives, they formally wished each other
pleasant dreams, and bade one another a ceremonious good night. Rising
every morning--separately, with delicate regard for the simple mysteries
of one another's toilet--they greeted each other at breakfast as two
high-bred strangers might meet in some grand drawing-room.
Public-domain text, read in full here on John Shaqi.
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