Oldfield: A Kentucky Tale of the Last CenturyBanks, Nancy Huston
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Oldfield: A Kentucky Tale of the Last Century
Banks, Nancy Huston
Kentucky -- Fiction
Miss Judy had but one book which was less than a half century in age.
That one book, however, was very, very new indeed and so remarkable that
Miss Judy held it to be worthy of a place with the old great ones. She
had already read it several times, and yet, strange to say, she had not
given it to Doris to read. Of course she had told her about it as soon
as it came from the thoughtful friend in Virginia who had sent it. But,
for certain reasons which were not quite clear to herself, she was
doubtful about its being the kind of a book best calculated to be really
improving to Doris. She had read it aloud to Miss Sophia (who tried her
best to keep awake), and she was confidently relying upon her judgment,
which she considered so much sounder and more practical than her own, in
making the decision. It was quite a serious matter, and Miss Judy was
still earnestly though silently considering it after breakfast on that
morning in March.
"The more I think of it the surer I feel that the main trouble with
Becky was that she had no proper bringing up, poor thing;" remarked Miss
Judy suddenly and rather absently, as if speaking more to herself than
to her sister.
They sat side by side in their little rocking-chairs as they loved to
sit, and they were busily engaged in sorting garden seeds. That is, Miss
Judy was sorting the seeds while Miss Sophia held the neat little calico
bags which Miss Judy had made in the fall, while Miss Sophia held the
calico. Still, Miss Sophia's cooperation, slight as it seemed, really
required a good deal of effort and very close attention. It was all she
could do to keep the bags on her round little knees; nature, who is
niggardly in many things, having denied the poor lady a lap.
"Who?" asked Miss Sophia, staring, and struggling with the seed-bags.
"_What_ Betty?"
"Why, Becky Sharp, of course," said Miss Judy.
Public-domain text, read in full here on John Shaqi.
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