Oldfield: A Kentucky Tale of the Last CenturyBanks, Nancy Huston
General
Oldfield: A Kentucky Tale of the Last Century
Banks, Nancy Huston
Kentucky -- Fiction
The forest crowded close to the valley, but the sun shone bright where
the giant trees stood farther apart. Then the skies of Kentucky were as
blue as the skies of Italy, just as they are now, so that the sunshine
and the peace of the spot, and the pure air of the wooded hills, gave
the wayfarers heart to believe themselves safe from the terrors of the
Ohio. The homes which they built were all humble enough, the merest
cabins of rough logs, since they had nothing else wherewith to build.
Major Bramwell's house was no better than the rest. Like most of the
settlers' cabins it had two low, large rooms with a closed passage
between and a loft above. But it is the mistress who makes the real
home,--wherever reared; the mere building of it has little to do with
its making. And the softest little woman, who is neither very brilliant
nor very wise, can work miracles for her husband and her children, no
matter where her wings may rest upon the earth. This one, softer and
less wise than many, not only made a real home of perfect refinement out
of that log hut in the wilderness, but she reared her daughters--amongst
white men rougher than the wild beasts, and near red men infinitely
fiercer--as gently as any royal princesses were ever trained in any old
palace for the gracing of courts.
It was easy enough to train Miss Judy, whose nature responded to
exquisiteness as an aeolian harp responds to the breeze. Miss Sophia was
different, but the little mother did not live long enough to find it
out. Perhaps no true mother ever lives long enough to find anything
lacking in her child. Miss Sophia was standing on the threshold of
womanhood, and Miss Judy had barely crossed it, when the little mother
died, worn out by hardship and broken-hearted by exile, but cheerful and
uncomplaining to the last, as such mothers always are.
Public-domain text, read in full here on John Shaqi.
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