My abode is on a broad, sunny street, with a few great elms overhead,
and with large old houses and grass-banks opposite. There is so little
snow that the outlook in the depth of winter is often merely that of a
paler and leafless summer, and a soft, springlike sky almost always
spreads above. Past the window streams an endless sunny panorama (for
the house fronts the chief thoroughfare between country and
town),--relics of summer equipages in faded grandeur; great, fragrant
hay-carts; vast moving mounds of golden straw; loads of crimson onions;
heaps of pale green cabbages; piles of gray tree-prunings, looking as
if the patrician trees were sending their superfluous wealth of
branches to enrich the impoverished orchards of the Poor Farm; wagons
of sea-weed just from the beach, with bright, moist hues, and dripping
with sea-water and sea-memories, each weed an argosy, bearing its own
wild histories. At this season, the very houses move, and roll slowly
by, looking round for more lucrative quarters next season. Never have I
seen real estate made so transportable as in Oldport. The purchaser,
after finishing and furnishing to his fancy, puts his name on the door,
and on the fence a large white placard inscribed "For sale". Then his
household arrangements are complete, and he can sit down to enjoy
himself.
By a side-glance from our window, one may look down an ancient street,
which in some early epoch of the world's freshness received the name of
Spring Street. A certain lively lady, addicted to daring Scriptural
interpretations, thinks that there is some mistake in the current
versions of Genesis, and that it was Spring Street which was created in
the beginning, and the heavens and earth at some subsequent period.
There are houses in Spring Street, and there is a confectioner's shop;
but it is not often that a sound comes across its rugged pavements,
save perchance (in summer) the drone of an ancient hand-organ, such as
might have been devised by Adam to console his Eve when Paradise was
lost. Yet of late the desecrating hammer and the ear-piercing saw have
entered that haunt of ancient peace. May it be long ere any such
invasion reaches those strange little wharves in the lower town, full
of small, black, gambrel-roofed houses, with projecting eaves that
might almost serve for piazzas. It is possible for an unpainted wooden
building to assume, in this climate, a more time-worn aspect than that
of any stone; and on these wharves everything is so old, and yet so
stunted, you might fancy that the houses had been sent down there to
play during their childhood, and that nobody had ever remembered to
fetch them back.
Public-domain text, read in full here on John Shaqi.
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