WHEN Olga went to her room that night in St. Petersburg, instead of
going to bed, she unpacked from her valise a series of articles which
seemed strange possessions for a young girl of not quite seventeen to
travel with on her wedding journey.
First came a tiny spirit furnace from which, by the aid of an
arrangement something like the modern blow-pipe, an intense heat could
be obtained. Then a delicate pair of scales, a glass pestle and mortar,
and a couple of glass liquid-measures, and lastly, half a dozen little
phials filled with variously-coloured liquids, and as many little
packets of powders, that looked like herbs ground very finely.
When she had placed these out on the table, after having carefully
locked the door of her room, and seen that the windows were completely
shuttered and curtained, she drew from the bosom of her dress a gold
chain, at the end of which was fastened, together with the key of
the secret recess in the wall of the turret chamber of the house at
Hampstead, a small bag of silk, out of which she took a little roll
of parchment,--the slip which she had abstracted from Paul Romanoff’s
secret will after she had persuaded Serge, with her false kisses, to
leave her alone for a while.
She seated herself at the table, drew the electric reading-lamp which
stood on it close to her, laid the slip down in front of her, keeping
it unrolled by means of a couple of little weights, and studied it
intently for several minutes. Then she made a series of calculations
on another sheet of paper, and compared the result carefully with some
figures on the slip.
She made them three times over before she was satisfied that they were
absolutely correct, and then, with all the care and deliberation of
a chemical analyst performing a delicate and important experiment,
she proceeded to weigh out tiny quantities of the powders, and to mix
them very carefully in the little glass mortar. This done, she emptied
the mixture into a little platinum crucible, which she placed on the
furnace, at the same time applying a gentle heat.
Then she turned her attention to the phials, measuring off quantities
of their contents with the most scrupulous exactitude, mixing them two
and two, and adding this mixture to a third, and so on, in a certain
order which was evidently prearranged, as she constantly referred to
the slip of parchment and her own calculations as she was mixing them.
By the time she finished this part of her work, she had obtained from
the various coloured liquids one perfectly colourless and odourless, of
a specific gravity apparently considerably in excess of that of water,
although, at the same time, it was extremely mobile and refractive.
She held it up to the light, looking at it with her eyelids somewhat
screwed up, and with a cruel smile on her pretty lips.
Public-domain text, read in full here on John Shaqi.
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