Oliver Constable, miller and baker, Vol. 1 (of 3) — John Shaqi
Oliver Constable, miller and baker, Vol. 1 (of 3)Tytler, Sarah
Philosophy
Oliver Constable, miller and baker, Vol. 1 (of 3)
Tytler, Sarah
England -- Social conditions -- 19th century -- Fiction
collar of his coat.
Oliver was exceedingly fond of the old parlour, and he was decidedly
not fond of Fan’s drawing-room; at the same time he was cast in a
different mould from the Squire of Copley Grange. Oliver had his
own views on æsthetics as on everything else, but the pattern of a
wall-paper or the tone of a carpet did not cost him agonies. He was not
always calling out for calm and repose and key notes. His residence
in Oxford had no doubt cultivated his taste without his knowing it,
but the training had failed to beget in him a special mania—apart
from intrinsic beauty or pleasant associations—for old oak and blue
china, Venetian glass, or Queen Anne needlework, unless the last were
the homely old garden-flower which bears that name. Now, as it had
more than once occurred to him, if Fan had been in some of the men’s
rooms, and had possessed rooms of her own, she would by this time have
been engulfed beyond the redemption of her natural taste in a charmed
region of dim and soft hues, faded colours and faint tracery varied by
bold interjections; she would have sat surrounded by mystic dados,
quaint Indian and Japanese matting, stately Jacobian chairs, gorgeous
peacock’s plumes and sunflowers. Yet it was Oliver and not Fan—as
both were aware—who was imaginative and susceptible. Except where her
prominent bump of order was concerned, it was he and not she, who was
sensitively affected by the surroundings; above all it was he who was
tenderly faithful to his first love in household gods, as in inanimate
nature.
Oliver and Fan Constable talked at dinner of the hundred-and-one
nothings which the members of one family, meeting after some months’
separation which has not divided the speakers in more than space, find
to interest them. Oliver took occasion to remark, _à propos_ of the
dinner itself, that Sally Pope had not lost her skill, and that he was
quite able to do justice to her fried soles and lamb cutlets though
he had dined at Paddington. He had not meant either to try Sally’s
patience, or to keep Fan’s dinner waiting. He had intended to come in
for her tea.
‘I don’t mind dining late, indeed, I greatly prefer it,’ said Fan with
decision; ‘and since—since poor father is gone,’ it was an effort for
her still to get out the words, though she showed no inclination to
cry,—she was not the ordinary sort of woman, who is given to express
her deepest feelings in tears,—‘we have not his tastes and habits to
think of first. There is no need for you to dine early after you have
been so long accustomed to dine late in hall.’
Public-domain text, read in full here on John Shaqi.
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