Oliver Constable, miller and baker, Vol. 1 (of 3)Tytler, Sarah
Philosophy
Oliver Constable, miller and baker, Vol. 1 (of 3)
Tytler, Sarah
England -- Social conditions -- 19th century -- Fiction
But the old servant entertained a totally different kind of pride in
Master Oliver—of fondness half-protecting, half-reliant for him. She
detained him at this moment entirely with his own will, though to the
chagrin of his sister.
Fan could not understand Oliver’s accessibility to servants, and his
ease with them. She was tempted to think he did not know and keep his
own place where they were concerned. On the other hand, this conclusion
did not coincide with some of her independent observations. Fan had
a candour and liberality of observation, in spite of her essential
narrowness and concentration of mind, which forced her often to remark
effects that puzzled her in her rooted convictions. Fan had learnt
from local gossip that there was something of the same bearing as that
of Oliver towards his servants in Mr. Ayott of Copley Grange to his
confidential and superannuated gamekeepers and nurses. She could not be
altogether sure that the simplicity and geniality were not among those
secrets of good breeding which were somehow beyond her acquisition.
Certainly no servant abused Oliver’s frankness and _bonhomie_.
The brother and sister stood in the twilight darkness of the oldest
room in the mill, empty at this hour. Oliver would have paused again
to make comments on what machinery was dimly revealed, and what store
of grain could be faintly discerned. But Fan, who had never from her
childhood cared for such details, nipped his intention in the bud and
dragged him on. ‘You said you wanted to be in the open air, dear; don’t
stay in this musty-fusty place, where I always dread rats.’ Then they
went out into the gallery.
Oliver pulled out a pile of new sacks to serve as a seat for Fan,
and converted a full sack into a pedestal to support the tray he had
carried. For himself he was content to loll on the old carved railing,
hunching up his shoulders, sinking his head in his breast, thrusting
out his bearded chin, squaring his moustached mouth, and blinking
with his brown eyes, contriving altogether to look as like a dwarf or
humpback, with the grotesquely ugly face which would have served for a
gurgoyle, as a stalwart, comely Englishman could well look.
At the couple’s feet flowed the Brook, over which the long pendent
boughs of the great willow drooped and swayed and dipped their
leaves—the blue-green of which was whitened, yellowed, and stained
with olive in the water. Before the two stretched the undulating bosky
park of Copley Grange, with the rich foliage of its fine trees still
in the gay vivid green of June, before it has grown dull, heavy, and
monotonous under the heat of July, with the red and white clusters of
the thorns competing with the red and white spikes of the chestnuts.
The sun was sinking like a ball of fire in the gold and crimson west,
where all the magnificence of the sky was still gathered, leaving
what had been the dim soft blue of a midsummer day, for a moment, by
contrast, cold in its purity in the east.
Public-domain text, read in full here on John Shaqi.
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