Oliver Constable, miller and baker, Vol. 1 (of 3)Tytler, Sarah
Philosophy
Oliver Constable, miller and baker, Vol. 1 (of 3)
Tytler, Sarah
England -- Social conditions -- 19th century -- Fiction
At two seasons of the year the view from the gallery of Friarton
Mill which did not extend beyond the park, and had the objection, if
you will, of being shut in, ‘tame and domestic,’ formed at the same
time a nearly perfect bit of woodland, while the well ‘seasoned’
Georgian house, with the Italian façade in the foreground, stopped
short of being an eyesore. In late spring, when the tender green of
the beech and oak contrasted with the sombre green of the fir, and
was relieved by the white blossoms of the wild crab and pear trees;
when the gnarled hawthorn bushes, in the dim light of early morning
or late twilight, stood crowned like ‘aged men,’ or in the glory of
noon bent like veiled brides; when clusters of red May and the spikes
of the red-flowered chestnut—introduced to compete with the native
trees—lent a half tropical brilliance to the sweet English purity of
the colouring; when the turf below was here and there pale gold with
primroses or misty blue with hyacinths; when blackbirds and thrushes
sang openly and unblushingly to their mates on every spray, and the
cuckoo’s note and the ringdove’s call sounded from hidden hollows; when
the first nightingale made night tuneful and poured out his passion
till it rose in liquid clearness above the monotonous rush and tinkle
of the waters, then Copley Grange Park, and Friarton Mill were at
their second best. For the autumn suited them even better than the
spring, nothing could surpass the exquisite rich mellowness and tender
delicacy when the ripe brown chestnut was dropping from its husk on
the water-of-Nile coloured grass, in the chillness of October; when
the five fingers of the chestnut leaves and the vine leaf of the maple
were burning in maize colour; when the oak was russet, the beech and
wild cherry crimson darkening into purple or streaked with scarlet;
the birch and the elm straw and daffodil colour; when the bracken was
rusty; when only the trill of the robin and the distant bark of a
dog broke the stillness of the earth resting from its labours with a
curtain of haze falling between it and the dappled sky.
But in winter also, when Buller’s Brook was hanging with icicles, and
‘roaring and reaming’ after it had broken its frozen bounds, and the
grass was sere, and the boughs of the trees stood out bare and black,
unless where the sunlight caught those near at hand, and brought out
their furry greys, and the blue bloom of a plum, hovering about the
twigs and bourgeons; or when they were feathered with hoar frost or
panoplied with snow, standing out in dead cold masses against the
leaden grey of the clouds—the park, as seen from the mill gallery,
was not to be despised by any hardy sight-seer who could face with
fortitude benumbed toes and tingling fingers.
Public-domain text, read in full here on John Shaqi.
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