Oliver Constable, miller and baker, Vol. 2 (of 3)Tytler, Sarah
Philosophy
Oliver Constable, miller and baker, Vol. 2 (of 3)
Tytler, Sarah
England -- Social conditions -- 19th century -- Fiction
Harry Stanhope was not so egregiously foolish in his vanity as to fail
to penetrate the fashion in which Catherine Hilliard was taking stock
of him, weighing him in the balance, and finding him hugely wanting.
‘Look here, Horry,’ he protested, thrusting his fingers through
his fair hair in comical discomfiture, after an hour’s compulsory
companionship with Catherine, ‘that girl has been looking at me through
a microscope, and picking holes in my credit all the evening; she knows
not only how I was ploughed in my smalls, but all about that time I was
rusticated for the beastly row at Walsh’s, though I never told her a
word of the mess. I say, I wish the old woman’ (an irreverent reference
to Mrs. Hilliard, to which the lady would not have objected in the
least) ‘would not persist in pairing us off together. It is no go;
though no doubt Miss Hilliard’s tin might be of use in the farm, she
would not have a gift of me, and unfortunately I could not get the tin
without offering my precious self in exchange.’
‘Ain’t she more the style we’ve been accustomed to—I mean among our
people—than Miss Constable, for instance?’ enquired Horry, doubtfully,
of his oracle. ‘I think Miss Hilliard is rather a fine girl; looks like
a lady without making a fuss about it.’
‘True, oh king! She is stately in her stiffness as a stage duchess. And
she is a sap as well as a swell. I bet you she reads as hard as old
Herculaneum, not that she ever alluded to a book to me, except to one
of Lever’s stories, which she just mentioned tentatively, with great
scrutinising eyes fixed upon me, the better to assure herself that it
was something in my line. But I have glimpses of the old beggars the
English poets, and so forth, if not of the Greek and Latin humbugs,
in the turn of her neck and the wave of her hair; I am in constant
horror lest she should so far forget herself as put me through my exams
again—which line in “Paradise Lost” I prefer, or whether I agree with
Bacon that gunpowder ought to have been invented before lucifers. I
don’t think I can stand it much longer if Mrs. Hilliard will go on
acting as if we were made for each other, though I am prepared to own
that Miss Hilliard is innocent of any pretence in the matter. How could
it be otherwise when she is so stunningly wise and learned, and the
rest of it? Oh! I say, when you see all that, and the knowledge don’t
crush you, suppose you go in for the lady and the tin, to be ploughed
and harrowed into the dirty acres of Copley Grange Farm, and so relieve
your brother-officer of the obligation, Horatio?’
Public-domain text, read in full here on John Shaqi.
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