Oliver Constable, miller and baker, Vol. 3 (of 3)Tytler, Sarah
Philosophy
Oliver Constable, miller and baker, Vol. 3 (of 3)
Tytler, Sarah
England -- Social conditions -- 19th century -- Fiction
The three years allotted by his brother-farmers for Harry Stanhope to
run through what small patrimony he had invested in Copley Grange Farm,
and what credit he had begun upon, did their work more effectually than
the months given by Oliver Constable for Harry to tire of his part as a
yeoman.
Fan had held her husband back with a little hand which was like a
vice for staunchness, but which had, at last, loosened its grip under
overwhelming pressure.
Horace had thrown his passive dead weight in the way, to impede Harry’s
swift progress to ruin.
Oliver Constable had not stood aside in sulky neutrality, or hard
inflexibility flavoured with vindictiveness, to witness the fulfilment
of his predictions. He would have given much for them to prove false.
He did all he could to prevent their realisation. He had little in
common with his brother-in-law, and it was in the characters of the two
men to grow always more apart instead of nearer to each other. Still
Oliver, though he was not much in Harry Stanhope’s company, and though
Harry showed himself constantly more restive, under any influence which
Oliver had ever possessed over him, tried his best in the thankless
office of looking after Harry, when he was beyond his wife’s scope, and
of interposing to save him—not merely from the consequences of his own
folly, but from falling a victim to his neighbours’ weaknesses. As a
result of this knight-errantry on Oliver’s part, there was an entire
rupture between him and Jack Dadd on Harry’s account.
Harry Stanhope’s incapacity for drawing distinctions—moral as well as
social—his vanity and passion for popularity, had all pointed with
tolerable clearness to one conclusion from the first. He had no notion
of what was expedient. He was not particular in his easygoing fashion.
He was bound to turn soon from his self-imposed obligations, selected
very much at haphazard, and sitting with the greatest lightness upon
him. He must have excitement of some kind, at any cost.
The upper, and, to be fair, the more decorous, set in Friarton,
which had commenced by being delighted with their opposite in Harry
Stanhope’s _abandon_, matched as it was with his gentle birth and
breeding, ceased to prize his company when they found it was bestowed
on their social inferiors with a thousand times the lavishness
and indiscriminateness which they had severely censured in Oliver
Constable. And all the time Oliver had claimed a right to act as he
did, and asserted a principle in it, while he had shown a method in
his madness. In the course of the last three years, he had brought his
accusers to acknowledge that, though he had lost himself in the matter
of his money, talents, and education, with the desirable position which
they might have commanded, he was not a reprobate, and he had known
when to stop long before the climax of individual degradation.
Public-domain text, read in full here on John Shaqi.
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