American fiction -- 20th century; Prophecies -- Fiction
But some one had seized the bags and with them he was dragged
ingloriously to the platform. Jane came next, crimson with
embarrassment. She hurried down the steps and waited at the bottom for
her mother to appear. As might have been expected of one so truly
theatric, Josephine delayed her appearance until the stage was clear, so
to speak. She even went so far as to keep her audience waiting. Preceded
by the Pullman porter, who up to this time had remained invisible but
now appeared as a proud and shining minion bearing boxes and traveling
cases, wraps and furs, she at length appeared, stopping on the last step
to survey, with well-affected surprise and a charming assumption of
consternation, the crowd that packed the platform. Recovering herself
with admirable aplomb, she rested her hand gracefully upon the brass
rail and bowed to the right and the left and straight before her; the
rigid smile with which every successful actress nightly envelops her
audience in response to curtain calls parted her carmine lips while her
big eyes ranged with sightless intensity over a void studded with what
their fatuous owners were prone to call faces. Just as she was on the
point of stepping down to the platform, her attention seemed suddenly to
have been caught and held by an object off to the left at an elevation
of perhaps ten feet above the heads of the spectators. She studied this
object smilingly for thirty or forty seconds. As many as a dozen kodaks
clicked during this brief though providential period of inactivity on
her part.
Now, a great many—perhaps all—of those who made up the eager, curious
crowd, expected to behold a young and radiant Josephine Judge; they had
seen her in the illustrated Sunday supplements and in the pictorial
magazines; always she was sprightly and vivid and alluring. They were
confronted, instead, by a tall, angular woman of fifty-two or-three,
carelessly—even “sloppily”—dressed in a slouchy two-piece pepper and
salt tweed walking costume, a glistening black straw hat that sat well
down upon a mass of bright auburn hair—(old-timers in the crowd
remembered her jet black tresses)—stout English oxfords somewhat run
down at the heel, and a neck piece of white fur. What most of the
observers at first took to be a wad of light brown fur tucked under her
right arm was discovered later to be a beady-eyed “Pekinese.”
But the minister’s wife was still a vividly handsome woman; the years
had put their lines at the corners of her eyes, to be sure, and had
pressed the fullness out of her cheeks, but they had not dimmed the
luster of her eyes nor sobered the smile that played about her mirthful
lips. She had taken good care of herself; she had made a business of
keeping young in looks as well as in spirit.
Public-domain text, read in full here on John Shaqi.
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