American fiction -- 20th century; Prophecies -- Fiction
She had gone away from Rumley with a cheap and unlovely suitcase; she
came back with twenty trunks, her traveling bags of seal, her jewel box
and toilet case, hat boxes, shoe boxes, a pedigreed “Peke” named Henry
the Eighth, and an accent that could have come from nowhere save the
heart of London-town. In a clear, full voice, trained to reach remote
perches in lofty theaters, she spoke to her husband from the coach
steps:
“Herbert, dear, have you the checks for my luggage, or have I?”
“I—I will attend to the trunks—” he began huskily, only to be
interrupted by the indefatigable Sammy.
“Don’t give ’em another thought, Mr. Sage. I’ll see to everything. Give
me the checks and—right this way, please, Mrs. Sage.”
“Thank you—thank you so much,” said Mrs. Sage graciously, and, as Sammy
bustled on ahead, inquired in an undertone of Jane at whose side she
walked: “Is that the wonderful Oliver October I’ve been hearing so much
about?”
“No, Mother—that is Sammy Parr. I—I don’t see Oliver anywhere. I wrote
him the train we were coming—”
A few paces ahead Sammy was explaining loudly to Mr. Sage: “I guess
something important of a political nature must have turned up to keep
Oliver from meeting the train. We had it all fixed up to meet you with
my car and he was to be here at four sharp. Doc Lansing’s up at Harbor
Point, Michigan, for a little vacation. Won’t be back till Sunday week.
Muriel’s out here in the car, Mr. Sage. She’ll drive you home while I
see about the baggage.”
Mr. Sage had recovered his composure by this time. He leaned close to
Sammy’s ear and said gravely:
“Luggage, Sammy—luggage.”
“Sure—I get you,” said Sammy, winking. “But just the same I’ll call it
baggage till I’ve got it safely out of the hands of Jim O’Brien, the
baggage master. He doesn’t like me any too well as it is, and if I
called it—Here we are! Hop right in, Jane. Permit me to introduce
myself, Mrs. Sage. I am—”
“I remember you quite well,” interrupted the great actress (pronouncing
it “quate”). “You are Sammy Parr—little Sammy Parr who used to
live—ah—let me see, where was it you were living when I left Rumley,
Sammy?”
Sammy flushed with joy to the roots of his hair.
“I didn’t think you’d remember me, Mrs.—”
“Pairfectly,” said she. “Oh, thank you so much. What a lovely car you
have. Don’t come too close to Henry the Eighth—he has a vile way of
snapping at people, whether he likes them or not. My word, Sammy! Jane!
Herbert! Can I believe my eyes? Is this Rumley? Is this—”
“This is my wife, Mrs. Sage,” introduced Sammy, indicating the
bare-headed young lady at the wheel.
“How do you do, Mrs. Sage. I’m awfully thrilled to meet you. I saw you
act in London during the war. My first husband was an officer in the
American Army, you see. You were perfectly lovely. I shall never
forget—oh, dear, what was the name of the play? I ought to remember—”
Public-domain text, read in full here on John Shaqi.
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