Oliver's Bride; A true StoryOliphant, Mrs. (Margaret)
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Oliver's Bride; A true Story
Oliphant, Mrs. (Margaret)
Fiction
Then a man brushed past, hurrying in. Grace followed, not knowing what
she did. She never forgot the scene she saw. In an arm-chair, the only
one in the room, sat propped up a young woman wrapped in a fur cloak,
with a white bonnet covered with flowers. Her eyes were half open; her
jaws had dropped. Another young woman, apparently her sister, stood
stroking her softly, calling to her: ‘Oh, wake up, Ally!--oh, wake
up!--there’s the carriage at the door, and here--here’s the doctor come
to see you.’ Through the sound of this frightened, half-weeping voice
came the sharp, clear tones of the doctor: ‘How long has she been like
this? Lay her down--lay her down anywhere. Yes, on the floor, if there’s
nowhere else. Silence, silence, woman! Can’t you see--’
There was an interval of quiet, and then the voice of the mother, ‘I’ll
get a mattress in a moment. She can’t lie there on the floor, her that’s
been taken such care of. Doctor! is it a faint? is it a faint? is it--’
Another moment of awful suspense, the silence tingling, creeping; the
voices of the little crowd sounding like echoes far off. Then the doctor
rose from where he had been kneeling on the floor.
‘Why did you let her do this?’ he said, sternly, ‘I warned you she must
not do it.’
‘Oh, doctor, her heart was set upon it--and such a beautiful morning,
and her new, beautiful fur cloak as she couldn’t catch cold in. Doctor,
why don’t you do something? DOCTOR!’ cried the mother, seizing him by
the arm.
He shook her off. He was rough in his impatience. ‘Can’t you see,’ he
said, ‘that there is nothing to be done? Take off that horrible finery;
the poor girl is dead.’
‘The poor girl is dead.’ Grace thought it was her own voice that
repeated those awful words. They went to her heart with a shock, making
her giddy and faint. Her voice sounded through the confused cries of the
woman about that prostrate figure. ‘Dead!’ The doctor turned to her, as
if it was she to whom explanations were due.
‘I warned them,’ he said, ‘that her life hung on a thread. I told them
she must make no exertion. I knew very well how it would be. The wonder
is that she has lasted so long,’ he added, after that momentary
excitement sinking into professional calm. ‘No, no, there’s nothing to
be done. Can’t you see that for yourself?’
‘And the cab at the door to take her for her airing!’ cried the mother,
in shrill tones of distraction. ‘Oh, doctor, give her something! The
brandy, where is the brandy, Matilda? I’ve seen her as far gone--’
‘You have never seen her like this before. She is dead,’ said the
doctor, in the unceremonious tones in which he addressed such patients.
‘You had better get a sofa or something to lay her on, poor thing!
nothing can hurt her now; and send and let her husband know.’ He
followed Grace out into the passage, where she had withdrawn, unable to
bear that awful sight.
Public-domain text, read in full here on John Shaqi.
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