Oliver Twist; or, The Parish Boy's Progress. IllustratedDickens, Charles
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Oliver Twist; or, The Parish Boy's Progress. Illustrated
Dickens, Charles
Bildungsromans; Boys -- Fiction; Criminals -- Fiction; Kidnapping victims -- Fiction; London (England) -- Fiction; Orphans -- Fiction
‘Oh, is this the boy?’ said the old gentleman.
‘This is him, sir,’ replied Mr. Bumble. ‘Bow to the magistrate, my
dear.’
Oliver roused himself, and made his best obeisance. He had been
wondering, with his eyes fixed on the magistrates’ powder, whether
all boards were born with that white stuff on their heads, and were
boards from thenceforth on that account.
‘Well,’ said the old gentleman, ‘I suppose he’s fond of
chimney-sweeping?’
‘He doats on it, your worship,’ replied Bumble; giving Oliver a sly
pinch, to intimate that he had better not say he didn’t.
‘And he _will_ be a sweep, will he?’ inquired the old gentleman.
‘If we was to bind him to any other trade to-morrow, he’d run away
simultaneous, your worship,’ replied Bumble.
‘And this man that’s to be his master--you, sir--you’ll treat him
well, and feed him, and do all that sort of thing, will you?’ said
the old gentleman.
‘When I says I will, I means I will,’ replied Mr. Gamfield doggedly.
‘You’re a rough speaker, my friend, but you look an honest,
open-hearted man,’ said the old gentleman: turning his spectacles
in the direction of the candidate for Oliver’s premium, whose
villainous countenance was a regular stamped receipt for cruelty.
But the magistrate was half blind and half childish, so he couldn’t
reasonably be expected to discern what other people did.
‘I hope I am, sir,’ said Mr. Gamfield, with an ugly leer.
‘I have no doubt you are, my friend,’ replied the old gentleman:
fixing his spectacles more firmly on his nose, and looking about him
for the inkstand.
It was the critical moment of Oliver’s fate. If the inkstand had
been where the old gentleman thought it was, he would have dipped
his pen into it, and signed the indentures, and Oliver would have
been straightway hurried off. But, as it chanced to be immediately
under his nose, it followed, as a matter of course, that he looked
all over his desk for it, without finding it; and happening in
the course of his search to look straight before him, his gaze
encountered the pale and terrified face of Oliver Twist: who,
despite all the admonitory looks and pinches of Bumble, was
regarding the repulsive countenance of his future master, with a
mingled expression of horror and fear, too palpable to be mistaken,
even by a half-blind magistrate.
The old gentleman stopped, laid down his pen, and looked from Oliver
to Mr. Limbkins; who attempted to take snuff with a cheerful and
unconcerned aspect.
‘My boy!’ said the old gentleman, ‘you look pale and alarmed. What
is the matter?’
‘Stand a little away from him, Beadle,’ said the other magistrate:
laying aside the paper, and leaning forward with an expression of
interest. ‘Now, boy, tell us what’s the matter: don’t be afraid.’
Oliver fell on his knees, and clasping his hands together, prayed
that they would order him back to the dark room--that they would
starve him--beat him--kill him if they pleased--rather than send him
away with that dreadful man.
Public-domain text, read in full here on John Shaqi.
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