I presume, like all other scribblers, I must meet my literary death, that is, when I have written myself down, or have written myself out. I have no objection, for I am very weary of my literary existence, although authors are not so in general; on the contrary, they can perceive in themselves no sign of decay when it is apparent to every body around them. Literary decay is analogous to the last stage of a consumption, in which you believe you are not going to die, and plan for the future as if you were in perfect health. And yet to this complexion must all authors come at last. There is not a more beautiful, or more true portrait of human nature, than the scene between the Archbishop of Grenada and Gil Blas, in the admirable novel of Le Sage. Often and often has it been brought to my recollection since I have taken up the pen, and often have I said to myself, "Is this homily as good as the last?" (perhaps homily is not exactly the right term my writings.) The great art in this world, not only in writing, but in everything else, is to know when to leave off. The mind as well as the body must wear out. At first it is a virgin soil, but we cannot renew its exhausted vigour after it has borne successive crops. We all know this, and yet we are all archbishops of Grenada. Even the immortal Walter Scott might have benefited by the honesty of Gil Blas, and have burnt his latter homilies; but had he had such an unsophisticated adviser, would he not, in all probability, have put him out by the shoulders, wishing him, like the venerable hierarch, "a little more taste and judgment."