Olympic Victor Monuments and Greek Athletic Art — John Shaqi
Olympic Victor Monuments and Greek Athletic ArtHyde, Walter Woodburn
History
Olympic Victor Monuments and Greek Athletic Art
Hyde, Walter Woodburn
Olympics; Sculpture, Greek; Sports -- Greece
It is a truism that the origin of Greek athletics is not to be found in
the recently discovered Aegean civilization of Crete, nor in the latest
phase of the same culture on Mycenæan sites of the mainland of Greece.
Their origin is not to be sought in the indigenous Mediterranean stock
which produced that culture, but rather among the northern invaders of
Greece, the fair-haired Achæans of the Homeric poems, and especially
among the later Dorians in the Peloponnesus. It was to the physical
vigor of these strangers rather than to the more artistic nature of the
Mediterraneans that the later Greeks owed their interest in sports.
As these invaders settled themselves most firmly in the Peloponnesus,
Greek athletics may be said to be chiefly the product of South Greece.
It was here that three of the four national festivals grew up—at
Olympia, Nemea, and on the Corinthian Isthmus. It was in the schools of
Argos and Sikyon that athletic sculpture flourished best and in later
Greek history physical exercise was most fully developed among the
Dorian Spartans.[1]
SPORTS IN CRETE.
Centuries before the Achæan civilization of Greece had bloomed, there
developed among the Minoans of Crete a passion for certain acrobatic
performances and for gymnastics. These Cretans, though strongly
influenced by Egypt and the East, did not borrow their love of sport
from outside any more than did the later Achæans. On the walls of the
tombs of Beni-Hasan on the Nile are pictured many athletic sports,
including a series of several hundred wrestling groups,[2] but these
sports did not influence, so far as we know, Cretan athletics. At
Knossos bull-grappling seems to have been the national sport, as we
see from the frescoes on the palace walls. In the absence of the
horse, which did not appear in early Aegean times in Crete, it is
not difficult to understand the development of gymnastic sports with
bulls. At Knossos a seal has been found which shows the rude drawing
of a vessel with rowers seated under a canopy, superimposed on which
is drawn the greater portion of a huge horse. In this design, dating
from about 1600 B. C. and synchronizing with the earlier part of
the eighteenth Egyptian dynasty, we doubtless see a graphic way of
indicating the cargo, and consequently a contemporary record, it may
be, of the first importation of horses from Libya into Crete.[3]
Public-domain text, read in full here on John Shaqi.
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