Olympic Victor Monuments and Greek Athletic ArtHyde, Walter Woodburn
History
Olympic Victor Monuments and Greek Athletic Art
Hyde, Walter Woodburn
Olympics; Sculpture, Greek; Sports -- Greece
We next come to the second ἔφοδος, which is introduced by these
words: Εἰ δὲ ἀπὸ τοῦ Λεωνιδαίου πρὸς τὸν βωμὸν τὸν μέγαν ἀφικέσθαι
τῇ δεξιᾷ θελήσειας, τοσάδε ἔστι σοὶ τῶν ἀνηκόντων ἐς μνήμην.[2337]
The Leonidaion, the site of which was still in dispute till after
the close of the excavations, was finally identified by Treu[2338]
with the so-called _Suedwestbau_, as had been already assumed by many
investigators.[2339] The site of the Great Altar, however, is still
undetermined. The elliptical depression to the east of the Pelopion,
whose dimensions (125 feet in circumference) agree with the figures
of Pausanias[2340] for the _prothysis_, or lowest stage of the
altar, identified with it by most scholars,[2341] must now be given
up since the more recent excavations of Doerpfeld, which prove it to
be the remains of two prehistoric dwelling houses with apse-like
ends.[2342] Nor can the remains of walls lying between the Heraion and
the Pelopion, formerly supposed to be those of an altar, any longer
be referred to the Great Altar (as Puchstein and Wernicke referred
them)[2343] since Doerpfeld’s recent discoveries. So we are dependent
on the words of Pausanias alone for its location, who says that it
stood “equidistant from the Pelopion and the sanctuary of Hera, but in
front of both,”[2344] therefore somewhat northwest of the elliptical
depression nearer the centre of the Altis.[2345] Our problem, then, is
to find Pausanias’ route between these two points, and here again, as
at the beginning of the first ἔφοδος, we must rightly interpret the
words ἐν δεξιᾷ. Michaelis, in his article on the use of ἐν δεξιᾷ and
ἐν ἀριστερᾷ in Pausanias’ work, made these words refer to the southern
side of the Processional Way, _i. e._, to the side at the right of
Pausanias, who was facing east after arriving at the Leonidaion.[2346]
Thus the statues already mentioned along the South Terrace wall
(Aischines to Philonides, 139-154a) would now be on his left side.
On this interpretation both Hirschfeld and Doerpfeld had the second
ἔφοδος follow the Processional Way eastward parallel to the first—thus
including the line of pedestals, which we have referred to the end of
the first—and then, near the Councilhouse, curve northward in front
of the temple of Zeus, which virtually would be a repetition of the
first ἔφοδος. On this theory Doerpfeld[2347] wrongly explained the
first route as containing statues ἐν τῇ Ἄλτει, while the second was
outside the older Altis, and so, though equally long, contained fewer
statues. But against this interpretation it must be urged that the
Periegete is describing the Altis of his day, when the road in question
was included within its boundaries, and that the Great Altar and the
two last statues mentioned (187, 188) as standing near the pillar of
Oinomaos were always inside.[2348] And neither this Processional Way
nor the space before the eastern front of the temple of Zeus were
Public-domain text, read in full here on John Shaqi.
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