Olympic Victor Monuments and Greek Athletic ArtHyde, Walter Woodburn
History
Olympic Victor Monuments and Greek Athletic Art
Hyde, Walter Woodburn
Olympics; Sculpture, Greek; Sports -- Greece
We have evidence, therefore, that the love of sport existed in Crete
as it has existed in all countries since. But the comparatively
unathletic character of the Aegean culture is shown by the complete
absence of athletic representations—apart from bull-grappling scenes—in
the art of its last phase at Mycenæ and Tiryns on the mainland.
This is an independent argument for the view that the civilization
of the mainland was chiefly the product of the old Mediterranean
stock, which was finally conquered by the invading Achæans, who are
represented in Homer as skilled gymnasts. In Homer we are immediately
conscious of being in another world, for here we are in an atmosphere
of true athletics, which are fully developed and quite secular in
character.[34] They are, however, wholly spontaneous, for there are as
yet neither meets nor organized training, neither stadia, gymnasia,
nor palæstræ; for such an organization of athletics did not exist
until the sixth century B. C. But Homer’s account of the funeral games
of Patroklos is pervaded by a spirit of true athletics and has a
perennial attraction for every lover of sport. Walter Leaf says of the
chariot-race, which is the culminating feature of the description,
that it is “a piece of narrative as truthful in its characters as
it is dramatic and masterly in description.”[35] Such a description
could have been composed only by a poet who belonged to a people long
acquainted with athletics and intensely interested in them. Nestor
often speaks of a remoter past, when the gods and heroes contended.
Odysseus says he could not have fought with Herakles nor Eurytos,
heroes of the olden time, “who contended with the immortal gods.” The
Homeric warrior was distinguished from the merchant by his knowledge
of sport. Thus Euryalos of the Phaiakians says in no complimentary
tone to Odysseus: “No truly, stranger, nor do I think thee at all like
one that is skilled in games ... rather art thou such an one as comes
and goes in a benched ship, a master of sailors that are merchantmen,
one with a memory for his freight, or that hath charge of a cargo
homeward bound, and of greedily gotten gains.”[36] It is beside the
point whether the chief passages in the poems which relate to sports
are late in origin or not, even if they are later than 776 B. C., the
traditional first Olympiad. In any case the later poet merely followed
an older tradition. At the funeral games of Patroklos all the events
are practical in character, the natural amusements of men chiefly
interested in war. They are, however, not merely military, but are
truly athletic. The oldest and most aristocratic of all the events
described is the chariot-race—in which the war-chariot is used—the
monopoly of the nobles then, as it was always later the sport of kings
and the rich.[37] Boxing and wrestling come next in importance, already
occupying the position of preëminence which they hold in the poems of
Pindar.
Public-domain text, read in full here on John Shaqi.
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