Olympic Victor Monuments and Greek Athletic ArtHyde, Walter Woodburn
History
Olympic Victor Monuments and Greek Athletic Art
Hyde, Walter Woodburn
Olympics; Sculpture, Greek; Sports -- Greece
during a war with Dyme, allowed the Pisatans to celebrate the games.
Six Olympiads later the king of Pisa came to Olympia with an army
and took charge. The story leaves the Pisatans in control from about
Olympiads 30 to 51, but some time between Ols. 48 and 52 the Eleans
defeated Pisa and destroyed it, and henceforth controlled the games.
Such a story was manifestly a contrivance by the later priests of
Elis to justify their control of the games through a prior claim. It
is contradicted by all the evidence.[84] The antiquity of Olympia is
known to us from the results of excavations and from its religious
history. The latest excavations on the site have disclosed the remains
of six prehistoric buildings with apsidal endings, below the geometric
stratum, upon the site of what used to be considered the remnants of
the great altar of Zeus.[85] Such an inference is borne out by many
primitive features in the religious history of the sanctuary. The altar
of Kronos on the hill to the north of the Altis was earlier than that
of Zeus; an earth altar antedated that of Zeus, while a survival of the
earlier worship of the powers of the underworld is seen in the custom,
lasting through later centuries, of allowing only one woman, the
priestess of Demeter Chamyne, to witness the games. We also know that
the worship of the Pelasgian Hera antedated that of the Hellenic Zeus;
her temple, the Heraion, is the most ancient of which the foundations
still stand, a temple built of stone, wood, and sun-dried bricks, whose
origin is to be referred to the tenth, if not to the eleventh, century
B. C.[86] We have already remarked that the worship of the hero Pelops
preceded that of the god Zeus.[87] All such indications attest the high
antiquity of Olympia. That it is not mentioned in Homer, while Delphi
and Dodona are, only proves that in the poet’s time it was still merely
a local shrine. Not until the beginning of the sixth century B. C. did
it attain the distinction, which it retained ever afterwards, of being
the foremost national festival of Hellas.[88]
Public-domain text, read in full here on John Shaqi.
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