Akontistai 222 Wrestlers 228 Boxers 234 Pancratiasts 246 CHAPTER V. MONUMENTS OF HIPPODROME AND MUSICAL VICTORS 257-285 Programme of Hippodrome Events 259 Representations of the Chariot-race 262 Chariot-groups at Olympia 264 Remains of Chariot-groups 269 The _Apobates_ Chariot-race 272 Statues of Charioteers 274 Dedications of Victors in the Horse-race at Olympia and Elsewhere 278 Monuments Illustrating the Horse-race 280 The _Apobates_ Horse-race 282 Dedications of Musical Victors at Olympia and Elsewhere 283 CHAPTER VI. TWO MARBLE HEADS FROM VICTOR STATUES 286-320 The Group of Daochos at Delphi, and Lysippos 286 The _Apoxyomenos_ of the Vatican, and Lysippos 288 The _Agios_ and the _Apoxyomenos_ compared, and the Style of Lysippos 289 The Head from Olympia 293 The Olympia Head and that of the _Agias_ 294 Identification of the Olympia Head 298 The Dates of Philandridas and Lysippos 300 Lysippos as a Worker in Marble, and Statue “Doubles” 302 The Head of a Statue of a Boy from Sparta, and the Art of Skopas 303 Comparison of the Tegea Heads and the Head from Sparta 308 The Styles of Skopas and Lysippos Compared 311 The Sparta Head Compared with that of the _Philandridas_ 316 The Sparta Head an Eclectic Work and an Example of Assimilation 318 CHAPTER VII. THE MATERIALS OF OLYMPIC VICTOR MONUMENTS, AND THE OLDEST-DATED VICTOR STATUE 321-338 The Case for Bronze 321 The Case for Stone 323 The Statue of Arrhachion at Phigalia 326 Egyptian Influence on Early Greek Sculpture 328 Early Victor Statues and the “Apollo” Type 334 CHAPTER VIII.