At fifteen Kate Courtenay was the very impersonation of youthful beauty, vigour, and impetuous life. She seemed to dance as she walked, to be eloquent and rhetorical when she spoke, out of the mere exuberance of her being. Her hair, which was full of colour, chestnut-brown, still fell in negligent abundance about her shoulders; not in stiff curls, after the old mode, nor _crêpé_, according to the new, but in one undulating, careless flow. Though she was still dressed in the sackcloth of the school-room, there was an air of authoritative independence about her, more imposing a great deal than was that garb of complete womanhood, the ‘long dress,’ to which she looked forward with awe and hope. Her figure was full for her age, yet so light, so well-formed, so free and rapid in movement, that it had all the graceful effect of the most girlish slenderness. Her voice was slightly high-pitched--not soft and low, as is the ideal woman’s--and she talked for three people, pouring forth her experiences, her recollections, her questions and remarks, in a flood. It was not quite ladylike, more than one unhappy instructress of Kate’s youth had suggested; but there seemed no reason in the world why she should pay any attention to such a suggestion. ‘If it is natural for me to talk so, why should I try to talk otherwise? Why should I care what people think? You may, Miss Blank, because they will find fault with you, and take away your pupils, and that sort of thing; but nobody can do anything to me.’ This was Kate’s vindication of her voice, which rang through all Langton-Courtenay clear as a bell, and sweet enough to hear, but imperative, decisive, high-pitched, and unceasing. When her uncle saw her, his first sensation was one of pleasure. She was waiting for him on the step before the front door, the sunshine surrounding her with a golden halo, made out of the stray golden luminous threads in her hair. ‘How do you do, uncle?’ she called out to him as soon as he appeared. ‘I am so glad you have made up your mind to come at last. It is always a change to have you here, and there are so many things I want to talk of. You have taken the fly from the station, I see, though the carriage went for you half-an-hour ago. That is what I am always telling you, Giles, you are continually half-an-hour too late. Uncle, mind how you get down. That fly-horse is the most vicious thing! She’ll go off when you have one foot to the ground, if you don’t mind. I told old Mrs. Sayer to sell her, but these people never will do what they are told. I am glad to see you, Uncle Courtenay. How do you do?’ ‘A little bewildered with my journey, Kate--and to find you a young lady receiving your guests, instead of a shy little girl running off when you were spoken to.’