"You know," she said, "I feel at home here. I think this was a college
of some sort, and these were classrooms. That word, up there; that was
the subject taught, or the department. And those electronic devices, all
where the class would face them; audio-visual teaching aids."
"A twenty-five-story university?" Lattimer scoffed. "Why, a building
like this would handle thirty thousand students."
"Maybe there were that many. This was a big city, in its prime," Martha
said, moved chiefly by a desire to oppose Lattimer.
"Yes, but think of the snafu in the halls, every time they changed
classes. It'd take half an hour to get everybody back and forth from one
floor to another." He turned to von Ohlmhorst. "I'm going up above this
floor. This place has been looted clean up to here, but there's a chance
there may be something above," he said.
"I'll stay on this floor, at present," the Turco-German replied. "There
will be much coming and going, and dragging things in and out. We should
get this completely examined and recorded first. Then Major Lindemann's
people can do their worst, here."
"Well, if nobody else wants it, I'll take the downstairs," Martha said.
"I'll go along with you," Hubert Penrose told her. "If the lower floors
have no archaeological value, we'll turn them into living quarters. I
like this building: it'll give everybody room to keep out from under
everybody else's feet." He looked down the hall. "We ought to find
escalators at the middle."
* * * * *
The hallway, too, was thick underfoot with dust. Most of the open rooms
were empty, but a few contained furniture, including small seat-desks.
The original proponent of the university theory pointed these out as
just what might be found in classrooms. There were escalators, up and
down, on either side of the hall, and more on the intersecting passage
to the right.
"That's how they handled the students, between classes," Martha
commented. "And I'll bet there are more ahead, there."
They came to a stop where the hallway ended at a great square central
hall. There were elevators, there, on two of the sides, and four
escalators, still usable as stairways. But it was the walls, and the
paintings on them, that brought them up short and staring.
Public-domain text, read in full here on John Shaqi.
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