Certainly art is, in the main, a purely subjective activity, in
which the artist wishes solely to satisfy himself, without thinking
of any person or thing external to himself. The psychological roots
of all artistic creation are, in fact, an exceptional sensitiveness
and feeling on the part of the artist. We know that every moderately
strong impression which man—and, moreover, not only man, but also every
living creature, however low in the scale—receives from the external
world, excites in him processes, which, in the case of man and the
higher animals, attain consciousness as emotion or passion. The emotion
imperiously urges in towards liberation through movements, that is
to say, muscular activity, which, in many cases, is accompanied by
glandular activity, _e.g._ tears, secretion of saliva, perspiration,
etc. To men of the average type the usual forms of manifesting their
emotion suffice. If they have wept in sorrow, laughed for joy, cursed
or clenched their fist in anger, they are pacified. Their emotion has
spent itself and become exhausted, and their physical life once more
flows in its accustomed channels.
However, if, instead of the average man, we have before us a creature
of exceptional sensitiveness and emotionality, the psychical processes
assume another shape. This creature feels all phenomena more acutely;
they arouse in him more violent passions; his emotions are deeper
and more lasting. Their normal forms of expression do not suffice to
lull them. They take possession of his soul, organise themselves,
show a tendency to become compelling ideas, and oppress it with
psycho-motorial incitements or impulses until it has freed itself from
them by acts which stand in proper ratio to the number or violence of
the emotions. A being whose excessive emotionality is of an angry,
malicious nature attains relief only through deeds of destruction.
Such is the case with most sub-species of born criminals. Should the
exceptionally strong emotions not be of a destructive nature, they find
their outlet otherwise by artistic creations, which, therefore, are a
liberation and solution of emotion that has become overmastering.
Public-domain text, read in full here on John Shaqi.
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