On Board the "Rocket"Adams, Robert C. (Robert Chamblet)
History
On Board the "Rocket"
Adams, Robert C. (Robert Chamblet)
Seafaring life
The morning light was welcome and George's Shoals being well cleared,
the vessel's course was altered to the eastward, bringing the wind more
on the side and steadying her movements. This is one of the pleasures
of sea life, the cessation of motion. "Then are they glad because
they be quiet." But as sea-life originates the evil, it deserves no
credit for the temporary relief. The breeze moderated and we made
easy progress, while the crew were busily at work stowing anchors and
chains, putting on chafing gear, and making the various preparations
for a long voyage. A pilot boat came under our stern to satisfy her
curiosity as to our identity. As she disappeared, we felt that our
last friend on American shores had left us, and we set our faces
resolutely towards the regions beyond. The next day the weather became
threatening. Though October had set in, no gale had yet occurred fit to
be named "the equinoctial storm," therefore, one was considered due by
all who believed in that old-fashioned institution. A gale did come,
but its connection with the equinox was not clearly established. It
blew fiercely enough, however, to deserve that respectable title, and
forced the vessel to lie to under a close-reefed main-topsail, which
finally had to be "goose-winged" (one side of it furled.) The mate went
aloft himself to encourage the crew in braving the storm. For two hours
it blew with almost hurricane violence, or as the mate expressed it, "a
perfect screamer," and we began to fear we should not escape unharmed,
as the seas were getting very "ugly." But the _Rocket_ lay to safely
and behaved splendidly. All night the wind held on with violence, but
at day-break it began to moderate and we escaped with no other damage
than splitting a jib and foretopmast staysail.
A gale of wind at night is a sublime, though fearful, scene. The ship
plunges wildly in the darkness, and skies and waters are equally black,
only relieved by the foaming crests of the mountain waves. But perhaps
the most impressive feature is the music of the gale, nature's grand
organ, or, if any prefer the simile, its bagpipe. The sub-bass of the
storm, as it sweeps over the waves against the hull and through the
lower rigging of the ship, forms the great volume of sound, and above,
in constantly changing variety, come shrieks, screams, wailings and
whistlings of every pitch and intensity, sounding from aloft as the
wind drives through sheave-holes, against the small rigging, and into
cracks in the spars. Few listen to these sounds without an impression
of awe or even dread, and many a brave heart, which scarcely knows
the meaning of the word fear, has felt a thrill and shudder as the
discordant screams and howlings of the midnight gale unite with the
roaring and dashing of the breaking waves.
Public-domain text, read in full here on John Shaqi.
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