Art criticism; Dramatic criticism; Literature -- History and criticism
It was no unusual thing for Balzac--the historian, above all things,
of men’s ambitions and of women’s hearts--to receive, together with
the compliments, the confessions of the fair. In our own age--an
age perhaps more enamoured of physical prowess and presence than
of intellectual or spiritual achievement--I have not heard that the
novelist or the successful writer of the short story is in constant
receipt of the confidences and eulogiums of women. These, I am
informed, when bestowed liberally on the stranger, are directed,
nowadays, in chief to the _jeune premier_ with a rapid action and a
well-made coat. But it was otherwise two generations ago; and Balzac,
sometimes complaining of the embarrassment, sometimes, on the other
hand, with not a little of honest pride in the circumstances that
caused it, avows himself endowed with the functions of a confessor. In
the two volumes of the well-known _Correspondence_ I have referred to
before, and in such other writings as have hitherto been accessible, it
is chiefly question of a certain anonymous ‘Louise,’ whom he never saw,
to whom he said many pretty things on writing-paper, and to whom he
was once minded to dedicate one of his stories. As a rule, I believe,
he left unanswered the letters of the stranger--felt, perhaps, that it
was enough that they should have been received, and, if they contained
anything that was noteworthy, registered, very likely, in the book of
his memory for possible employment in fiction. But now it is made clear
abundantly, that in the case of Evelina de Hanska, not only was there
correspondence, intimate if scarcely voluminous, before any personal
meeting, but likewise that by means of it such a tie was created, such
a mutual fascination formed, as could hardly with ease be broken. And
yet, what if when they met in the flesh there had been--as after all
there might have been--disillusionment! What if Evelina de Hanska had
proved as distasteful to Monsieur de Balzac as Anne of Cleves to the
experienced Henry!
He was in the best of all possible moods, however, to be impressed with
Madame de Hanska, during the period of their earliest correspondence;
for unquestionably he was wounded, unquestionably he was sore. Among
the friendships--verging sometimes on love-affairs--which Balzac
formed with women, two were at this moment in the crisis of their
fate. Many years before the existence of Madame de Hanska became known
to him, Balzac had been friend, trustful dependant, would-be lover,
probably--it is difficult to express the relationship--of a certain
Madame de Berny. She was a little older than he was, and she helped him
in money troubles when he was young enough to be able to accept her
assistance without shame, and she knew the world at a time when, if I
may proffer the phrase, he joined the inextinguishable simplicity of
the artist to the more prosaic simplicity of the inexperienced.
Public-domain text, read in full here on John Shaqi.
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