On Canada's Frontier: Sketches of History, Sport, and Adventure and of the Indians, Missionaries, Fur-traders, and Newer Settlers of Western CanadaRalph, Julian
History
On Canada's Frontier: Sketches of History, Sport, and Adventure and of the Indians, Missionaries, Fur-traders, and Newer Settlers of Western Canada
Ralph, Julian
Hudson's Bay Company -- History; Indians of North America -- Canada; Northwest, Canadian -- Description and travel
Over six feet in height, broad-chested, athletic, and carrying not an
ounce of flesh that could be spared, Dan Dunn's was a striking figure
even where physical strength was the most serviceable possession of
every man. From never having given his personal appearance a
thought--except during a brief period of courtship antecedent to the
establishment of a home in old Ontario--he had so accustomed himself to
unrestraint that his habitual attitude was that of a long-bladed
jack-knife not fully opened. His long spare arms swung limberly before a
long spare body set upon long spare legs. His costume was one that is
never described in the advertisements of city clothiers. It consisted of
a dust-coated slouch felt hat, which a dealer once sold for black, of a
flannel shirt, of homespun trousers, of socks, and of heavy "brogans."
In all, his dress was what the æsthetes of Mr. Wilde's day might have
aptly termed a symphony in dust. His shoes and hat had acquired a
mud-color, and his shirt and trousers were chosen because they
originally possessed it. Yet Dan Dunn was distinctly a cleanly man, fond
of frequent splashing in the camp toilet basins--the Kootenay River and
its little rushing tributaries. He was not shaven. As a rule he is not,
and yet at times he is, as it happens. I learned that on Sundays, when
there was nothing to do except to go fishing, or to walk over to the
engineer's camp for intellectual society, he felt the unconscious
impulse of a forgotten training, and put on a coat. He even tied a black
silk ribbon under his collar on such occasions, and if no one had given
him a good cigar during the week, he took out his best pipe (which had
been locked up, because whatever was not under lock and key was certain
to be stolen in half an hour). Then he felt fitted, as he would say,
"for a hard day's work at loafing."
[Illustration: THE MESS TENT AT NIGHT]
If you came upon Dan Dunn on Broadway, he would look as awkward as any
other animal removed from its element; yet on a forest trail not even
Davy Crockett was handsomer or more picturesque. His face is
reddish-brown and as hard-skinned as the top of a drum, befitting a man
who has lived out-of-doors all his life. But it is a finely moulded
face, instinct with good-nature and some gentleness. The witchery of
quick Irish humor lurks often in his eyes, but can quickly give place
on occasion to a firm light, which is best read in connection with the
broad, strong sweep of his massive under-jaw. There you see his fitness
to command small armies, even of what he calls "wolverenes." He is
willing to thrash any man who seems to need the operation, and yet he is
equally noted for gathering a squad of rough laborers in every camp to
make them his wards. He collects the money such men earn, and puts it in
bank, or sends it to their families.
"It does them as much good to let me take it as to chuck it over a
gin-mill bar," he explained.
Public-domain text, read in full here on John Shaqi.
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