On Canada's Frontier: Sketches of History, Sport, and Adventure and of the Indians, Missionaries, Fur-traders, and Newer Settlers of Western CanadaRalph, Julian
History
On Canada's Frontier: Sketches of History, Sport, and Adventure and of the Indians, Missionaries, Fur-traders, and Newer Settlers of Western Canada
Ralph, Julian
Hudson's Bay Company -- History; Indians of North America -- Canada; Northwest, Canadian -- Description and travel
The reader will inquire whether there was any real beauty, as we judge
it, among these Indians. Yes, there was; at least there were good looks
if there was not beauty. I saw perhaps a dozen fine-looking men, half a
dozen attractive girls, and something like a hundred children of varying
degrees of comeliness--pleasing, pretty, or beautiful. I had some jolly
romps with the children, and so came to know that their faces and arms
met my touch with the smoothness and softness of the flesh of our own
little ones at home. I was surprised at this; indeed, the skin of the
boys was of the texture of velvet. The madcap urchins, what riotous fun
they were having! They flung arrows and darts, ran races and wrestled,
and in some of their play they fairly swarmed all over one another,
until at times one lad would be buried in the thick of a writhing mass
of legs and arms several feet in depth. Some of the boys wore only
"G-strings" (as, for some reason, the breech-clout is commonly called on
the prairie), but others were wrapped in old blankets, and the larger
ones were already wearing the Blackfoot plume-lock, or tuft of hair tied
and trained to stand erect above the forehead. The babies within the
tepees were clad only in their complexions.
The result of an hour of waiting on our part and of yelling on the part
of the herald resulted in a war-dance not very different in itself from
the dances we have most of us seen at Wild West shows. An immense tomtom
as big as the largest-sized bass-drum was set up between four poles,
around which colored cloths were wrapped, and from the tops of which the
same gay stuff floated on the wind in bunches of party-colored ribbons.
Around this squatted four young braves, who pounded the drum-head and
chanted a tune, which rose and fell between the shrillest and the
deepest notes, but which consisted of simple monosyllabic sounds
repeated thousands of times. The interpreter said that originally the
Indians had words to their songs, but these were forgotten no man knows
when, and only the so-called tunes (and the tradition that there once
were words for them) are perpetuated. At all events, the four braves
beat the drum and chanted, until presently a young warrior, hideous with
war-paint, and carrying a shield and a tomahawk, came out of a tepee and
began the dancing. It was the stiff-legged hopping, first on one foot
and then on the other, which all savages appear to deem the highest form
the terpsichorean art can take. In the course of a few circles around
the tomtom he began shouting of valorous deeds he never had performed,
for he was too young to have ridden after buffalo or into battle.
Presently he pretended to see upon the ground something at once
fascinating and awesome. It was the trail of the enemy. Then he danced
furiously and more limberly, tossing his head back, shaking his hatchet
and many-tailed shield high aloft, and yelling that he was following the
Public-domain text, read in full here on John Shaqi.
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