Another manifestation of the dream work which all incoherent dreams have
in common is still more noticeable. Choose any instance, and compare the
number of separate elements in it, or the extent of the dream, if
written down, with the dream thoughts yielded by analysis, and of which
but a trace can be refound in the dream itself. There can be no doubt
that the dream working has resulted in an extraordinary compression or
_condensation_. It is not at first easy to form an opinion as to the
extent of the condensation; the more deeply you go into the analysis,
the more deeply you are impressed by it. There will be found no factor
in the dream whence the chains of associations do not lead in two or
more directions, no scene which has not been pieced together out of two
or more impressions and events. For instance, I once dreamt about a kind
of swimming-bath where the bathers suddenly separated in all directions;
at one place on the edge a person stood bending towards one of the
bathers as if to drag him out. The scene was a composite one, made up
out of an event that occurred at the time of puberty, and of two
pictures, one of which I had seen just shortly before the dream. The two
pictures were The Surprise in the Bath, from Schwind’s Cycle of the
Melusine (note the bathers suddenly separating), and a picture of The
Flood, by an Italian master. The little incident was that I once
witnessed a lady, who had tarried in the swimming-bath until the men’s
hour, being helped out of the water by the swimming-master. The scene in
the dream which was selected for analysis led to a whole group of
reminiscences, each one of which had contributed to the dream content.
First of all came the little episode from the time of my courting, of
which I have already spoken; the pressure of a hand under the table gave
rise in the dream to the “under the table,” which I had subsequently to
find a place for in my recollection. There was, of course, at the time
not a word about “undivided attention.” Analysis taught me that this
factor is the realisation of a desire through its contradictory and
related to the behaviour of my wife at the table d’hôte. An exactly
similar and much more important episode of our courtship, one which
separated us for an entire day, lies hidden behind this recent
recollection. The intimacy, the hand resting upon the knee, refers to a
quite different connection and to quite other persons. This element in
the dream becomes again the starting-point of two distinct series of
reminiscences, and so on.
Public-domain text, read in full here on John Shaqi.
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