On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjective — John Shaqi
On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjectiveGraves, Robert
History
On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjective
Graves, Robert
English poetry -- History and criticism
ON
ENGLISH POETRY
_POEMS BY ROBERT GRAVES_
FAIRIES AND FUSILEERS [1918]
COUNTRY SETTLEMENT [1920]
THE PIER-GLASS [1921]
ON ENGLISH POETRY
_Being an Irregular Approach to the Psychology
of This Art, from Evidence Mainly Subjective_
BY ROBERT GRAVES
[Illustration: colophon]
NEW YORK ALFRED·A·KNOPF MCMXXII
COPYRIGHT, 1922, BY
ALFRED A. KNOPF, INC.
_Published, May, 1922_
_Set up and printed by the Vail-Ballou Co., Binghamton, N. Y. Paper
furnished by Henry Lindenmeyr & Sons, New York, N. Y. Bound by the
H. Wolff Estate, New York, N. Y._
MANUFACTURED IN THE UNITED STATES OF AMERICA
_To T. E. Lawrence of Arabia and All Soul’s College, Oxford, and to
W. H. R. Rivers of the Solomon Islands and St. John’s College,
Cambridge, my gratitude for valuable critical help, and the
dedication of this book._
... Also of the Mustarde Tarte: Suche
problemis to paynt, it longyth to his arte.
JOHN SKELTON.
Poetry subdues to union under its light yoke
all irreconcilable things.
P. B. SHELLEY.
NOTE
The greater part of this book will appear controversial, but any critic
who expects me to argue on what I have written, is begged kindly to
excuse me; my garrison is withdrawn without a shot fired and his
artillery may blow the fortress to pieces at leisure. These notebook
reflections are only offered as being based on the rules which regulate
my own work at the moment, for many of which I claim no universal
application and have promised no lasting regard. They have been
suggested from time to time mostly by particular problems in the writing
of my last two volumes of poetry. Hesitating to formulate at present a
comprehensive water-tight philosophy of poetry, I have dispensed with a
continuous argument, and so the sections either stand independently or
are intended to get their force by suggestive neighbourliness rather
than by logical catenation. The names of the glass houses in which my
name as an authority on poetry lodges at present, are to be found on a
back page.
Public-domain text, read in full here on John Shaqi.
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