On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjectiveGraves, Robert
History
On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjective
Graves, Robert
English poetry -- History and criticism
When we say that a poet is born not made, it is saying something much
more, that Poetry is essentially spontaneous in origin, and that very
little of it can therefore be taught on a blackboard; it means that a
man is not a poet unless there is some peculiar event in his family
history to account for him. It means to me that with the apparent
exceptions given in the next section, the poet, like his poetry, is
himself the result of the fusion of incongruous forces. Marriages
between people of conflicting philosophies of life, widely separated
nationalities or (most important) different emotional processes, are
likely either to result in children hopelessly struggling with
inhibitions or to develop in them a central authority of great resource
and most quick witted at compromise. Early influences, other than
parental, stimulate the same process. The mind of a poet is like an
international conference composed of delegates of both sexes and every
shade of political thought, which is trying to decide on a series of
problems of which the chairman has himself little previous
knowledge--yet this chairman, this central authority, will somehow
contrive to sign a report embodying the specialized knowledge and
reconciling the apparently hopeless disagreements of all factions
concerned. These factions can be called, for convenience, the poet’s
sub-personalities.
It is obviously impossible to analyze with accuracy the various elements
that once combined to make a phrase in the mind of a poet long dead, but
for the sake of illustration here is a fanciful reconstruction of the
clash of ideas that gave us Milton’s often quoted “Gadding Vine.” The
words, to me, represent an encounter between the poet’s
sub-personalities “B” and “C.” Says “B”:--
“What a gentle placid fruitful plant the vine is; I am thinking of
putting it in one of my speeches as emblem of the kindly weakness of the
Vegetables.”
C replies very tartly:--
“Gentle placid fruitful fiddle-sticks! Why, my good friend, think of the
colossal explosive force required to thrust up that vast structure from
a tiny seed buried inches deep in the earth; against the force of
gravity too, and against very heavy winds. Placidity! Look at its leaves
tossing about and its greedy tendrils swaying in search of something to
attack. Vegetable indeed! It’s mobile, it’s vicious, it’s more like a
swarm of gad-flies.” B continues obstinate, saying “I never heard such
nonsense. A vine is still a vine, in spite of your paradoxes.”
“Anyhow, the juice of the vine makes you gad about pretty lively,
sometimes,” says C.
“Grapes are the conventional fruit for the sick-room,” retorts B.
“Well, what did the Greeks think about it?” pursues C. “Wasn’t Dionysos
the god of the Vine? He didn’t stop rooted all his life in some
miserable little Greek valley. He went gadding off to India and brought
back tigers.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account