On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjective — John Shaqi
On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjectiveGraves, Robert
History
On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjective
Graves, Robert
English poetry -- History and criticism
Wordsworth’s lines “I wandered lonely as a cloud” are, as he would have
said, about “something more” than yellow daffodils at the water’s brim.
I have heard how schoolmasters and mistresses point out in the “Poetry
Lesson” that the whole importance of this poem lies in Wordsworth’s
simple perception of the beauty of Spring flowers; but it seems to me to
be an important poem only because Wordsworth has written spontaneously
(though perhaps under his sister’s influence) and recorded to his own
satisfaction an emotional state which we all can recognize.
These daffodils have interrupted the thoughts of an unhappy, lonely man
and, reminding him of his childhood, become at once emblems of a golden
age of disinterested human companionship; he uses their memory later as
a charm to banish the spectres of trouble and loneliness. I hope I have
interpreted the poem correctly. Let us now fantastically suppose for the
sake of argument that Wordsworth had been intentionally seeking solitude
like a hurt beast hating his kind, and had suddenly come across the same
daffodil field: he surely might have been struck with a sudden horror
for such a huge crowd of flower-faces, especially if his early memories
of flower picking had been blighted by disagreeable companionship and
the labour of picking for the flower market. He would then have written
a poem of exactly the opposite sense, recording his sudden feeling of
repulsion at the sight of the flowers and remarking at the end that
sometimes when he is lying on his couch in vacant or in pensive mood,
they flash across that inward eye which is the curse of solitude,
“_Oh then my heart with horror fills_
_And shudders with the daffodils._”
For readers to whom he could communicate his dislike of daffodils on the
basis of a common experience of brutal companionship in childhood and
forced labour, the poem would seem a masterpiece, and those of them who
were schoolmasters would be pretty sure to point out in _their_ Poetry
Lessons that the importance of the poem lay in Wordsworth’s “perception
of the dreadfulness of Spring Flowers.”
Public-domain text, read in full here on John Shaqi.
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