XXV PUTTY, 78 XXVI READING ALOUD, 81 XXVII L’ARTE DELLA PITTURA, 82 XXVIII ON WRITING MUSICALLY, 83 XXIX THE USE OF POETRY, 84 XXX HISTORIES OF POETRY, 86 XXXI THE BOWL MARKED DOG, 87 XXXII THE ANALYTIC SPIRIT, 88 XXXIII RHYME AND ALLITERATION, 89 XXXIV AN AWKWARD FELLOW CALLED ARIPHRADES, 90 XXXV IMPROVISING NEW CONVENTIONS, 92 XXXVI WHEN IN DOUBT..., 93 XXXVII THE EDITOR WITH THE MUCKRAKE, 94 XXXVIII THE MORAL QUESTION, 94 XXXIX THE POET AS OUTSIDER, 96 XL A POLITE ACKNOWLEDGEMENT, 97 XLI FAKE POETRY, BAD POETRY AND MERE VERSE, 97 XLII A DIALOGUE ON FAKE POETRY, 101 XLIII ASKING ADVICE, 102 XLIV SURFACE FAULTS, AN ILLUSTRATION, 103 XLV LINKED SWEETNESS LONG DRAWN OUT, 106 XLVI THE FABLE OF THE IDEAL GADGET, 108 XLVII SEQUELS ARE BARRED, 111 XLVIII TOM FOOL, 111 XLIX CROSS RHYTHM AND RESOLUTION, 113 L MY NAME IS LEGION, FOR WE ARE MANY, 116 LI THE PIG BABY, 121 LII APOLOGY FOR DEFINITIONS, 122 LIII TIMES AND SEASONS, 124 LIV TWO HERESIES, 125 LV THE ART OF EXPRESSION, 126 LVI GHOSTS IN THE SHELDONIAN, 129 LVII THE LAYING-ON OF HANDS, 130 LVIII WAYS AND MEANS, 132 LIX POETRY AS LABOUR, 134 LX THE NECESSITY OF ARROGANCE, 134 LXI IN PROCESSION, 137 APPENDIX: THE DANGERS OF DEFINITION, 143 I DEFINITIONS