On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjectiveGraves, Robert
History
On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjective
Graves, Robert
English poetry -- History and criticism
“I am sorry, nephew, that I cannot understand your Modern Poetry. Indeed
I strongly dislike it; it seems to me mostly mere impudence.”
“But, uncle, you are not expected to like it! The old house-dog goes at
dinner time to the broken biscuits in his bowl marked DOG and eats
heartily. Tomorrow give him an unaccustomed dainty in an unaccustomed
bowl and he will sniff and turn away in disgust. Though tempted to kick
him for his unrecognizing stupidity, his ingratitude, his ridiculous
preference for the formal biscuit, yet refrain!
“The sight and smell associations of the DOG BOWL out of which he has
eaten so long have actually, scientists say, become necessary for
bringing the proper digestive juices into his mouth. What you offer him
awakes no hunger, his mouth does not water; he is puzzled and insulted.
“But give it to the puppies instead; they’ll gobble it up and sniff
contemptuously afterwards at the old dog and his bowl of biscuit.”
XXXII
THE ANALYTIC SPIRIT
In England, since--shall we name the convenient date 1851, the year of
the Great Exhibition?--the educated reading public has developed
analytic powers which have not been generally matched by a corresponding
development of the co-ordinating arts of the poet. Old charms will no
longer hold, old baits will no longer be taken; the reader has become
too wary. The triumph of the analytic spirit is nowhere better shown
than in these histories of Poetry just mentioned, where the interest in
fake poetry is just as strong or even stronger than the interest in
poetry itself.
As Religions inevitably die with their founders, the disciples having
either to reject or formularize their master’s opinions, so with Poetry,
it dies on the formation of a poetic school. The analytic spirit has
been, I believe, responsible both for the present coma of religion among
our educated classes and for the disrespect into which poetry and the
fine arts have fallen. As for these histories of poetry, the very fact
that people are interested in failures of the various “Schools” to
universalize the individual system of a master, is a great
discouragement to a poet trying by every means in his power to lay the
spirit of sophistication.
Public-domain text, read in full here on John Shaqi.
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