On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjectiveGraves, Robert
History
On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjective
Graves, Robert
English poetry -- History and criticism
As one rather more interested in the choice, use, and blending of
words than in the niceties of historical grammar, and having no
greater knowledge of etymology than will occasionally allow me to
question vulgar derivations of place-names, I would like to sound a
warning against the attempt to purify the language too much--“one
word, one meaning” is as impossible to impose on English as “one
letter, one sound.” By all means weed out homophones, and wherever
a word is overloaded and driven to death let another bear part of
the burden; suppress the bastard and ugly words of journalese or
commerce; keep a watchful eye on the scientists; take necessary
French and Italian words out of their italics to give them an
English spelling and accentuation; call a bird or a flower by its
proper name, revive useful dialect or obsolescent words, and so on;
that is the right sort of purification, but let it be tactfully
done, let the Dictionary be a hive of living things and not a
museum of minutely ticketed fossils. A common-sense precision in
writing is clearly necessary; one has only to read a page or two of
Nashe, Lyly, or (especially) the lesser Euphuists to come to this
conclusion; their sentences often can have meant no more to
themselves than a mere grimace or the latest sweep of the hat
learned in Italy. A common-sense precision, yes, but when the
pedantic scientist accuses the man in the street of verbal
inexactitude the latter will do well to point out to the scientist
that of all classes of writers, his is the least accurate of any in
the use of ordinary words. Witness a typical sentence, none the
better for being taken from a book which has made an extremely
important contribution to modern psychological research, and is
written by a scientist so enlightened that, dispensing almost
entirely with the usual scientific jargon, he has improvised his
own technical terms as they are needed for the argument. Very good
words they are, such as would doubtless be as highly approved by
the Society for Pure English, in session, as they have been by the
British Association. This Doctor X is explaining the unaccountable
foreknowledge in certain insects of the needs they will meet after
their metamorphosis from grub to moth. He writes:
... This grub, after a life completely spent within the channels in
a tree-trunk which it itself manufactures....
Public-domain text, read in full here on John Shaqi.
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