On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjectiveGraves, Robert
History
On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjective
Graves, Robert
English poetry -- History and criticism
There it is, you can hardly get away from it.
Misguided supporters of the Society for Pure English, resisting the
impulse to say casually “the yellow stuff round my yorange” and
“the bits inside, what you eat,” and knowing better than to give us
_exocarp_, _carpel_, and _ovule_, will, however, perhaps
misunderstand the aims of the Society by only using literary and
semi-scientific language, by insisting on _paring_ the _integument_
and afterwards removing the _divisions_ of their fruit for
_mastication_. But pure English does not mean putting back the
clock; or doing mental gymnastics. Let them rather (when they don’t
honestly push in that lump of sugar and suck) _skin_ off the
_rind_, ignoring the _kim_ and scraping away the _kill-baby_, then
pull out the _pigs_, _chew_ them decently, and put the _pips_ to
their proper use.
Good English surely is clear, easy, unambiguous, rich,
well-sounding, but not self-conscious; for too much pruning
kills....
THE END
* * * * *
Typographical errors corrected by the etext transcriber:
He fell in victory’s pierce pursuit=> He fell in victory’s fierce
pursuit {pg 55}
End of the Project Gutenberg EBook of On English Poetry, by Robert Graves
Public-domain text, read in full here on John Shaqi.
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