I know a house in Wimpole Street of which every part is as familiar
quite as the torn leaves of the old books of childhood, but I have
passed it and repassed it for how many years, forbidden an entrance,
and finding that ancient and fixed friend in league, so to speak,
with strangers. Or, in another manner, which of us does not know a
house like any other house, amid the thousand unmarked houses in the
better streets of the town, but to us quite individual because there
met within it once so many who were for us the history of our time?
It was in that room (where are the three windows) that she received
her guests, retaining on into the last generations of a worse and
degraded time the traditions of a better society. Here came men who
could discuss and reveal things that are now distorted legends, and
whose revelations were real because they came as witnesses: soldiers of
the Crimea, of India, of Italy, and of Algiers, or men who remembered
great actions within the State: actions that were significant through
conviction, before we became what we are. Here was breeding; here were
the just limits of tone and emphasis and change, and here was that
type of intercourse which was surely as great and as good a thing as
Europe or England has known. Who sees that room to-day? What taste has
replaced her taste? What choice of stuff or colour mars the decoration
on the walls? What trash or alien thing takes the place of that careful
elaborate womanly work in which her travels throughout the world were
recorded, and in which the excellent modesty of an art sufficient for
her purpose reproduced in line and in colour the ironic nobility of her
mind and the wide expanse of her learning? We do not know and we cannot
know. The house is neither ours nor hers. To whomever it has passed it
has turned traitor to us who knew.
Public-domain text, read in full here on John Shaqi.
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