And then consider what mere Time will do in such cases; how if a man was great while living, he becomes tenfold greater when dead. What an enormous _camera-obscura_ magnifier is Tradition! How a thing grows in the human Memory, in the human Imagination, when love, worship and all that lies in the human Heart, is there to encourage it. And in the darkness, in the entire ignorance; without date or document, no book, no Arundel-marble; only here and there some dumb monumental cairn. Why, in thirty or forty years, were there no books, any great man would grow _mythic_, the contemporaries who had seen him, being once all dead. And in three hundred years, and in three thousand years--! To attempt _theorizing_ on such matters would profit little: they are matters which refuse to be _theoremed_ and diagramed; which Logic ought to know that she _cannot_ speak of. Enough for us to discern, far in the uttermost distance, some gleam as of a small real light shining in the centre of that enormous camera-obscure image; to discern that the centre of it all was not a madness and nothing, but a sanity and something. This light, kindled in the great dark vortex of the Norse Mind, dark but living, waiting only for light; this is to me the centre of the whole. How such light will then shine out, and with wondrous thousand-fold expansion spread itself, in forms and colors, depends not on _it_, so much as on the National Mind recipient of it. The colors and forms of your light will be those of the _cut-glass_ it has to shine through.--Curious to think how, for every man, any the truest fact is modelled by the nature of the man! I said, The earnest man, speaking to his brother men, must always have stated what seemed to him a _fact_, a real Appearance of Nature. But the way in which such Appearance or fact shaped itself,--what sort of _fact_ it became for him,--was and is modified by his own laws of thinking; deep, subtle, but universal, ever-operating laws. The world of Nature, for every man, is the Fantasy of Himself. This world is the multiplex "Image of his own Dream." Who knows to what unnamable subtleties of spiritual law all these Pagan Fables owe their shape! The number Twelve, divisiblest of all, which could be halved, quartered, parted into three, into six, the most remarkable number,--this was enough to determine the _Signs of the Zodiac_, the number of Odin's _Sons_, and innumerable other Twelves. Any vague rumor of number had a tendency to settle itself into Twelve. So with regard to every other matter. And quite unconsciously too,--with no notion of building up "Allegories "! But the fresh clear glance of those First Ages would be prompt in discerning the secret relations of things, and wholly open to obey these. Schiller finds in the _Cestus of Venus_ an everlasting aesthetic truth as to the nature of all Beauty; curious:--but he is careful not to insinuate that the old Greek Mythists